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The Visit (musical)

musical

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 11, 2026
Entity authorityQ7772895 ↗
Source-derived summary

The Visit is a musical with a book by Terrence McNally, lyrics by Fred Ebb, and music by John Kander.

Based on Friedrich Dürrenmatt's 1956 satirical play about greed and revenge Der Besuch der alten Dame, it focuses on the world's wealthiest woman, Claire Zachanassian, who returns to her financially depressed hometown and offers its residents a new lease on life in exchange for the murder of Anton Schell, the man who abandoned her years ago.

Background

The musical adaptation of The Visit was originally developed as a vehicle for Angela Lansbury and was scheduled for a Broadway opening on March 15, 2001. It had been scheduled for a try-out in Boston for December 2000–January 2001. Frank Galati was the director with Ann Reinking as choreographer, and co-starring Philip Bosco. However, in July 2000 Lansbury withdrew due to the illness and subsequent death of her husband.

Production history

Chicago, 2001

Chita Rivera was signed as Lansbury's replacement and the musical, directed by Frank Galati and choreographed by Ann Reinking, was staged with Rivera and John McMartin by the Goodman Theatre, Chicago, opening on October 1, 2001. Galati said that because of the September 11, 2001 attacks the show did not move to Broadway: "It was generally a success, but we couldn't get anyone from New York or California to see it. People weren't flying." In that climate, he says, "the whole idea of moving a very dark parable about human greed, the dark side of human nature," was difficult. Reinking said: "By the time you really could travel and people felt safe again, our run was up." Regional theatre productions were considered as an alternative, while McNally rewrote the book.

Editorial summary

Begin with the source’s own compact description: “The Visit (musical)” is musical. The dossier treats that line as a proposition to test through Visit and musical, not as a finished interpretation.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1956, 2001, 2000—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Visit and musical is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “musical” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Sep 11, 2026. The linked authority identifier is Q7772895. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1956, 2001 and 2000.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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  2. Expand the search: follow The Visit (musical) primary sources, The Visit (musical) archive and Visit research across catalogues and specialist indexes.
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Source & attribution

This entry incorporates text from “The Visit (musical)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.