The Tragedy of Chabot, Admiral of France
play written by George Chapman

The Tragedy of Chabot, Admiral of France is an early seventeenth-century play, generally judged to be a work of George Chapman, later revised by James Shirley. The play is the last in Chapman's series of plays on contemporary French politics and history, which started with Bussy D'Ambois and continued through The Conspiracy and Tragedy of Charles, Duke of Byron, and The Revenge of Bussy D'Ambois.
As usual in Chapman's French histories, the characters and plot are based on actual historical personages and events – which in this case occurred in the early sixteenth century in the reign of Francis I of France, revolving around Philippe de Chabot.
Date and source
Scholars have disputed the date of authorship of Chapman's original version; it had to be later than 1611, when Chapman's primary historical source, Pasquier's Les Recherches de la France, was published. Some scholars have dated the original play as late as 1622.
Publication
The play entered the documentary record on 29 April 1635, when Sir Henry Herbert, the Master of the Revels, listed it in his accounts as a work by Shirley. The play was entered into the Stationers' Register on 24 October 1638, again as a work by Shirley, and was first published in the following year, 1639, in a quarto printed by Thomas Cotes for the booksellers Andrew Crooke and William Cooke. The quarto's title page attributes the play to Chapman and Shirley, and states that the play was acted by Queen Henrietta's Men at the Cockpit Theatre, as were most of Shirley's plays of the 1630s.
Revision
It is thought that Shirley's revision of Chapman's original most likely took place in 1634–35, between Chapman's death in the earlier year and Herbert's record. T. M. Parrott, a leading Chapman scholar, provided a breakdown of the two writers' shares:
Chapman – Act I, scene i; Act II, scene iii; Act v, scene ii;
Chapman and Shirley – Act II, scene ii; Act III, scene ii; Act IV; Act V, scene i;
Shirley – Act II, scene i; Act III, scene i.
“The Tragedy of Chabot, Admiral of France” enters the record as play written by George Chapman. Crown Archives preserves that source wording while asking what Tragedy, Chabot and Admiral can confirm, complicate or overturn.
Why this record matters
“The Tragedy of Chabot, Admiral of France” is worth following because a concise public description often conceals a longer documentary argument. Here, Tragedy, Chabot and Admiral provides the most credible route into that argument.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jun 17, 2026. The linked authority identifier is Q7769846. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1611, 1622, 1635 and 1638.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “The Tragedy of Chabot, Admiral of France”, its source revision and the description used here.
- Expand the search: follow The Tragedy of Chabot, Admiral of France primary sources, The Tragedy of Chabot, Admiral of France archive and Tragedy research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “The Tragedy of Chabot, Admiral of France”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “The Tragedy of Chabot, Admiral of France” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.