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Research dossier · Arts & Letters

The Seven from Texas

1964 film by Joaquín Luis Romero Hernández Marchent

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 3, 2026
Entity authorityQ3791287 ↗
Source-derived summary

The Seven from Texas ( Spanish: Antes llega la muerte, Italian: I sette del Texas, also known as Seven Guns from Texas and Hour of Death) is a 1964 Spanish-Italian Western film directed by Joaquín Luis Romero Marchent. It was shown as part of a retrospective on Spaghetti Western at the 64th Venice International Film Festival.

Editorial summary

This brief starts where responsible research should: with the source description of “The Seven from Texas” as 1964 film by Joaquín Luis Romero Hernández Marchent. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1964—that can be checked directly. The linked authority record independently contributes the date 1964-11-06. The account is most persuasive where Seven, Texas and film can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1964 film by Joaquín Luis Romero Hernández Marchent. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Mar 3, 2026. The linked authority identifier is Q3791287. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1964.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Seven from Texas”, its source revision and the description used here.
  2. Expand the search: follow The Seven from Texas primary sources, The Seven from Texas archive and Seven research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Seven from Texas”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “The Seven from Texas” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.