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Rock n Roll Worship Circus

musical artist

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 13, 2025
Entity authorityQ7354835 ↗
Source-derived summary

The Rock 'n' Roll Worship Circus was a band from Kelso, Washington, U.S.

History

The band began as worship team members in a church undergoing changes in the mid-1990s. Their transition to a nationally touring act came in 2001 after the release of their first full-length album, entitled Big Star Logistics. In 2002, the band signed with Vertical Music, a subsidiary of Integrity Label Group, and released "Welcome to the Rock 'n' Roll Worship Circus", a 60's flavored blend of congregational, humorous, and personal worship songs. The album was nominated for 4 GMA Dove Awards, and won the award for "Best Art Packaging". It peaked at #31 on Billboard's Top Contemporary Christian Albums chart. In 2003, the band's contract was given to INO Records, another subsidiary of Integrity Label Group, and the band's second album titled A Beautiful Glow was released. The band was dropped after a lack of radio play and album sales had failed label expectations. In 2004, the band released their last recorded work titled The Listening EP, toured internationally with Delirious?, and played major festivals worldwide.

Remaining members

Some remaining members of the Worship Circus continue in music today. Bobby Love has joined BEC Records band Telecast.

Editorial summary

The public source identifies “Rock n Roll Worship Circus” as musical artist. This brief keeps that definition visible, then builds a research path around Rock, Roll and Worship.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—2001, 2002, 2003, 2004—that can be checked directly. The linked authority record independently contributes the date 1999. Its value is orientation rather than verdict, with Rock, Roll and Worship providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Rock n Roll Worship Circus”, the useful work is to connect “musical artist” to the records capable of establishing context and consequence.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Nov 13, 2025. The linked authority identifier is Q7354835. VIAF identifies the subject as 136247900. The Library of Congress control number is n2004117420. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2001, 2002, 2003 and 2004.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Rock n Roll Worship Circus”, its source revision and the description used here.
  2. Expand the search: follow Rock n Roll Worship Circus primary sources, Rock n Roll Worship Circus archive and Rock research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Rock n Roll Worship Circus”?
  2. Which claims depend on a single source or contested interpretation?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Rock n Roll Worship Circus” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.