CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

The Rivals (painting)

1931 painting by Diego Rivera

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 10, 2026
Entity authorityQ109905531 ↗
Source-derived summary

The Rivals is a 1931 oil-on-canvas painting by the Mexican artist Diego Rivera (1886–1957). It was commissioned by Abby Aldrich Rockefeller, the leading personage behind the inception of the Museum of Modern Art in New York City. Rivera created the work while on the ship SS Moro en route from Mexico to New York City. The picture portrays "Las Velas", a festival held in the Mexican state of Oaxaca, a fete in honor of local patron saints and of the abundance of spring.

Abby Rockefeller kept the work in her own private collection until 1940 when she bequested it to her son David Rockefeller and his wife Peggy Rockefeller (the former Peggy McGrath) as a wedding present. The couple exhibited the work in the living room of their summer home, Ringing Point, in Maine.

At auction

In 2017, following David Rockefeller's death at the age of 101, the work sold for $9.7 million at auction at Christie's, then a record for a work by a Latin American artist. In 2021 the aforementioned sales mark was shattered when Diego and I (1949) by Rivera's wife, the surrealist painter, Frida Kahlo, was sold at Sotheby's in New York City for $34.9 million US.

It was later revealed that The Rivals had been bought by the tech billionaire Paul Allen in the last year of his life and it was subsequently sold for $14.1 million US (with fees) at the auction of his art collection in November 2022 at Christie's in New York City.

Editorial summary

Begin with the source’s own compact description: “The Rivals (painting)” is 1931 painting by Diego Rivera. The dossier treats that line as a proposition to test through Rivals, painting and Diego, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1931, 1886, 1957, 1940—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Rivals, painting and Diego is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1931 painting by Diego Rivera” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 10, 2026. The linked authority identifier is Q109905531. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1931, 1886, 1957 and 1940.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Rivals (painting)”, its source revision and the description used here.
  2. Expand the search: follow The Rivals (painting) primary sources, The Rivals (painting) archive and Rivals research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Rivals (painting)”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “The Rivals (painting)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.