The Red Shoes (musical)
musical based on the 1948 film The Red Shoes

The Red Shoes is a musical with a book by Marsha Norman, lyrics by Norman and Bob Merrill (credited as Paul Stryker) and music by Jule Styne. Based on Powell and Pressburger's 1948 film, it tells the tale of a young ballerina who performs in an adaptation of the 1845 Hans Christian Andersen story.
History
Prior to the Broadway opening, the producer, Martin Starger, fired the original director, the male lead, featured performers, and the production manager. This resulted in a delay of the opening from December 2 to December 16. Starger, Styne and the eventual director, Stanley Donen, wanted the musical to essentially be a stage version of the 1948 film. However, the original director, Susan H. Schulman, Norman, choreographer Lar Lubovitch, and set designer Heidi Landesman felt that to follow the film closely would produce a "dull, dated show." Bob Merrill was brought in to assist in re-writing the lyrics. Norman had no desire to be credited for revised lyrics she didn't write, while Merrill felt the same way about the original lyrics he didn't write; the result was the show's lyrics were credited to Norman and the pseudonymous "Paul Stryker". The Broadway production, in 1993, was a failure, losing nearly $8 million.
Synopsis
In 1921-1922 the Russian Ballet Lermontov company performs in London, Paris and Monte Carlo. Victoria Page is a ballet dancer with the company, which is led by Boris Lermontov.
The public source identifies “The Red Shoes (musical)” as musical based on the 1948 film The Red Shoes. This brief keeps that definition visible, then builds a research path around Shoes, musical and based.
Why this record matters
A short description can identify a subject without explaining its stakes. For “The Red Shoes (musical)”, the useful work is to connect “musical based on the 1948 film The Red Shoes” to the records capable of establishing context and consequence.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Dec 11, 2025. The linked authority identifier is Q7759937. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1948, 1845, 1993 and 1921.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “The Red Shoes (musical)”, its source revision and the description used here.
- Expand the search: follow The Red Shoes (musical) primary sources, The Red Shoes (musical) archive and Shoes research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “The Red Shoes (musical)”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “The Red Shoes (musical)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.