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The Queen (play)

play

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 25, 2026
Entity authorityQ7758990 ↗
Source-derived summary

The Queen, or The Excellency of Her Sex is a Caroline-era tragicomedy. Though published anonymously in 1653, The play is now generally attributed to John Ford – making it a significant addition to the very limited canon of Ford's works.

The date and circumstances of the play's authorship and performance are unknown, though scholars can draw some inferences from the little factual information available. The first quarto edition of 1653 was published by the actor-turned-bookseller Alexander Gough. Gough had earlier been a member of the King's Men, and had been part of the cast of that company's production of Ford's The Lover's Melancholy in late 1628 or 1629. This suggests that The Queen may also have been acted by the King's Men. Since Ford is thought to have written for the King's Men only early in his career – just two of his earlier plays were acted by the company – The Queen may be another early work.

The play's internal evidence of style and textual preferences points to Ford; it shows, among other particulars, the pattern of unusual contractions (t'ee for "to ye," d'ee for "do ye," y'are for "you are") that typifies Ford's work. Furthermore, "the work's incidence of rhymes and double and triple endings relative to that of Ford's other plays" also favours an early date in Ford's career, which makes sense in terms of the King's Men connection. The assignment of the play to Ford, first made by the German scholar Willy Bang in 1906, is widely accepted.

Editorial summary

“The Queen (play)” enters the record as play. Crown Archives preserves that source wording while asking what Queen and play can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1653, 1628, 1629, 1906—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Queen and play.
Editorial analysis

Why this record matters

“The Queen (play)” is worth following because a concise public description often conceals a longer documentary argument. Here, Queen and play provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated May 25, 2026. The linked authority identifier is Q7758990. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1653, 1628, 1629 and 1906.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Queen (play)”, its source revision and the description used here.
  2. Expand the search: follow The Queen (play) primary sources, The Queen (play) archive and Queen research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Queen (play)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “The Queen (play)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.