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The Phoenix (play)

Jacobean city comedy

Architectural plans, a scale model, maps and brass measuring instruments
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 18, 2026
Entity authorityQ7756959 ↗
Source-derived summary

The Phoenix is a Jacobean play, a city comedy written by Thomas Middleton c. 1603–4, and performed by the Children of Paul's. It may be Middleton's earliest surviving play.

The play was performed at Court before King James on 20 February 1604. It was entered into the Stationers' Register on 9 May 1607; the first quarto was published later that year by the bookseller Arthur Johnson. A second quarto was issued in 1630 by Richard Meighen.

Characters

The Duke of Ferrara

Infesto, a lord

Lussurioso, a lord

Proditor, a lord

Nobles

Prince Phoenix, the Duke's son

Fidelio, his servant

Niece to Falso

Three Soldiers of the sea

The Captain, Castiza's husband

Castiza, Fidelio's mother

The Groom of an inn

Suitors to Tangle

Tangle, a lawyer

The Jeweller'S Wife, Falso's daughter

Her Boy

The Knight

His Lackey

Suitors to Falso

Falso, a justice

Latronello, his servant

Furtivo, his servant

Two Gentlemen, friends of Falso's brother

Servant to Proditor

Fucato, Falso's servant

Constable and Officers

Quieto, a reformed lawyer

Quieto's Boy

Maid to the Jeweller's Wife

Gentleman, a reveller

A Drawer

Synopsis

Act I

Scene 1: A chamber in the palace of the Duke of Ferrara

The Duke of Ferrara is old and nearing death, and needs his son, the Phoenix, to take over from him. The boy is virtuous and wise; however, he has little practical experience of the world, and so his counsellors advise the Duke to send his son travelling. One of the lords, Proditor, says in asides that he hopes the Phoenix will go and never come back. The Phoenix enters, with his servant Fidelio; his father advises him to see the world, to find out what men are really like.

Editorial summary

The public source identifies “The Phoenix (play)” as jacobean city comedy. This brief keeps that definition visible, then builds a research path around Phoenix, play and Jacobean.

Editorial reviewA strong orientation record where physical form, institutional use and historical geography need to be read together. The current lead gives the account dated anchors—1603, 1604, 1607, 1630—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Phoenix, play and Jacobean providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The Phoenix (play)”, the useful work is to connect “jacobean city comedy” to the records capable of establishing context and consequence.

Evidence profile

The strongest evidence will usually combine a dated visual record with documents produced by the authority responsible for the place. The source revision retrieved here is dated Sep 18, 2026. The linked authority identifier is Q7756959. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1603, 1604, 1607 and 1630.

Critical limits

Modern boundaries and familiar names can conceal earlier jurisdictions or structures that do not align with the present site. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Treat names, boundaries and functions as historically changeable. Maps, plans, inventories and administrative records can clarify what the place meant at different dates.

Best used for
  • Historic place names
  • Jurisdictional context
  • Routes into maps and plans
Verify next

Contemporary maps, plans, listed-building records, estate papers and the responsible local or national archive.

Three-step research path

  1. Establish the record: confirm the title “The Phoenix (play)”, its source revision and the description used here.
  2. Expand the search: follow The Phoenix (play) primary sources, The Phoenix (play) archive and Phoenix research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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  2. What physical evidence or contemporary plan supports the description?
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Source & attribution

This entry incorporates text from “The Phoenix (play)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.