CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

The Patty Duke Show

American television sitcom

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 9, 2026
Entity authorityQ3988658
Source-derived summary

The Patty Duke Show is an American television sitcom created by Sidney Sheldon and William Asher. The series ran on ABC from September 18, 1963, to April 27, 1966.

The series was developed as a vehicle for teenage star Patty Duke, who had won an Academy Award the previous year. Duke starred in dual roles of "twin cousins" Patty and Cathy Lane. The series co-starred William Schallert, Jean Byron, Paul O'Keefe, and Eddie Applegate.

A total of 104 black-and-white episodes, plus an unaired pilot, were produced by United Artists Television. ABC abruptly cancelled the series after three seasons.

Premise

Patty Lane (Duke) is a normal, chatty, rambunctious teenager who (according to the theme song lyrics) lives in the Brooklyn Heights section of New York City. Her father, Martin Lane (William Schallert), is the managing editor of the New York Daily Chronicle; Patty affectionately addresses him as "Poppo." Her "identical paternal cousin," Cathy Lane (also played by Duke), is sophisticated, brainy and demure; her father Kenneth (also played by Schallert) is Martin's identical twin brother. Since the widowed Kenneth is often away as a foreign correspondent for the Chronicle, Cathy moves to the United States to live with Patty's family – which also includes her mother Natalie (Jean Byron) and brother Ross (Paul O'Keefe) – and to attend Brooklyn Heights High School with Patty and her boyfriend Richard (Eddie Applegate).

Editorial summary

“The Patty Duke Show” enters the record as american television sitcom. Crown Archives preserves that source wording while asking what Patty, Duke and Show can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1963, 1966—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Patty, Duke and Show.
Editorial analysis

Why this record matters

“The Patty Duke Show” is worth following because a concise public description often conceals a longer documentary argument. Here, Patty, Duke and Show provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 9, 2026. The linked authority identifier is Q3988658. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1963 and 1966.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Patty Duke Show”, its source revision and the description used here.
  2. Expand the search: follow The Patty Duke Show primary sources, The Patty Duke Show archive and Patty research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Patty Duke Show”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from The Patty Duke Show” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.