CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

The O.C. Supertones

American band

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 21, 2026
Entity authorityQ1420344 ↗
Source-derived summary

The Orange County Supertones (a.k.a. The O.C. Supertones, or simply The Supertones) were a Christian ska band from Orange County, California. The band was signed to Tooth & Nail Records and its imprint, BEC Recordings, before becoming an independent band. The band temporarily disbanded in 2005, reunited in 2010 to resume touring and recording, and permanently disbanding in 2017. The OC Supertones were one of the first widely successful Christian ska bands.

History

The band began in the early 1990s as Saved. Originally formed by Matt Morginsky, Jason Carson and Tony Terusa while in junior high school, the band played a mix of many styles including punk, rap, metal, disco, and funk. In 1995 they formed as The Orange County Supertones and settled on a ska based sound, similar to Operation Ivy or Mike Park's Skankin' Pickle. Although drummer Jason Carson had known Tooth & Nail founder Brandon Ebel for years, the label was reluctant to sign them. As characterized by Ebel: "The Supertones were good, but Saved was not good.

Editorial summary

The public source identifies “The O.C. Supertones” as american band. This brief keeps that definition visible, then builds a research path around Supertones, American and band.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—2005, 2010, 2017, 1995—that can be checked directly. The linked authority record independently contributes the date 1995. Its value is orientation rather than verdict, with Supertones, American and band providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The O.C. Supertones”, the useful work is to connect “american band” to the records capable of establishing context and consequence.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 21, 2026. The linked authority identifier is Q1420344. VIAF identifies the subject as 131672527. The Library of Congress control number is no99019632. 4 of 5 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2005, 2010, 2017 and 1995.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “The O.C. Supertones”, its source revision and the description used here.
  2. Expand the search: follow The O.C. Supertones primary sources, The O.C. Supertones archive and Supertones research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The O.C. Supertones”?
  2. What terminology or title could unlock a more precise catalogue search?
  3. Which institution is responsible for the underlying evidence?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “The O.C. Supertones” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.