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The New One!

album by Buddy Rich

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 26, 2025
Entity authorityQ7753698
Source-derived summary

The New One! also released as Take it Away! is a 1968 studio recording by the Buddy Rich Big Band.

Track listing

LP side A

"Away We Go" (Ferguson) – 3:11

"Machine" (Reddie) – 3:38

"The Rotten Kid" (Greco) – 5:11

"New Blues" (Piestrup) – 4:54

"Something for Willie" (Boice) – 4:08

"Standing up in a Hammock" (Potts) – 2:40

LP side B

"Chicago" (Fred Fisher) – 2:08

"Luv" (Mulligan) – 2:56

"I Can't Get Started" (Vernon Duke, Ira Gershwin) – 3:50

"Group Shot" (Piestrup) – 5:07

"Diabolus" (Ferguson) – 8:58

bonus tracks on CD re-issue:

"Away We Go" (alt. take) – 3:00

"The Rotten Kid" (alt. take) – 4:14

"Diabolus" (alt. take) – 8:58

"Old Timey" (Florence) – 3:15

"Naptown Blues" (Montgomery) – 4:25

Personnel

Ernie Watts – alto saxophone

Charles Owens – alto saxophone (tracks A1, A3, B5)

James Mosher – alto saxophone (tracks A2, A4-B4)

Jay Corre – tenor saxophone

Pascel LaBarbera – tenor saxophone (tracks A1, A3, B5)

Robert Keller – tenor saxophone (tracks A2, A4-B4)

Frank Capi – baritone saxophone (tracks A1, A3, B5)

Meyer Hirsch – baritone saxophone (tracks A2, A4-B4)

Chuck Findley – trumpet

John Sotille – trumpet

Yoshito Murakami – trumpet

Russell Iverson – trumpet (tracks A1, A3, B5)

Ollie Mitchell – trumpet (tracks A2, A4-B4)

Robert Brawn – trombone

John Boice – trombone (tracks A2, A4-B4)

Sam Burtis – trombone (tracks A1, A3, B5)

Jack Spurlock – trombone (tracks A1, A3, B5)

James Trimble – trombone (tracks A2, A4-B4)

Ray Starling – piano (tracks A2, A4-B4)

Russel Turner, Jr.

Editorial summary

The public source identifies “The New One!” as album by Buddy Rich. This brief keeps that definition visible, then builds a research path around album, Buddy and Rich.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1968—that can be checked directly. The linked authority record independently contributes the date 1968. Its value is orientation rather than verdict, with album, Buddy and Rich providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The New One!”, the useful work is to connect “album by Buddy Rich” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated May 26, 2025. The linked authority identifier is Q7753698. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1968.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The New One!”, its source revision and the description used here.
  2. Expand the search: follow The New One! primary sources, The New One! archive and album research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The New One!”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from The New One!” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.