The Moving Museum
Open-knowledge reference entry

The Moving Museum is a not-for-profit organisation that runs a nomadic programme of contemporary art exhibitions. It has held projects in Dubai, Istanbul, and London comprising large-scale exhibitions, artist residencies, public programming, publishing, artwork commissions, and digital programming.
Artists are invited through a collaborative curatorial model composed of contributors from various disciplines and are included in diverse ways: as producers, collaborators, curators, and advisors. Over 50 new projects have been commissioned across a wide range of media including works by Amalia Ulman, Broomberg and Chanarin, Clunie Reid, Hannah Perry, Hito Steyerl, Jeremy Deller, Jon Rafman, Jeremy Bailey, James Bridle, Michael Rakowitz, Tom Sachs, Ryan Gander, Mai-Thu Perret, Slavs and Tatars, Zach Blas, Anne de Vries, Ben Schumacher, Ming Wong and Lucky PDF.
The Moving Museum is an independent and non-political organization founded by Aya Mousawi and Simon Sakhai in 2012; a registered community interest company (CIC) in England and Wales; and a registered 501(c)(3) Charity in the United States of America. The organisation's website was designed by new media artist Jeremy Bailey with Harm van den Dorpel, Joe Hamilton, and Jonas Lund.
Begin with the source’s own compact description: “The Moving Museum” is open-knowledge reference entry. The dossier treats that line as a proposition to test through Moving, Museum and Open-knowledge, not as a finished interpretation.
Why this record matters
The phrase “open-knowledge reference entry” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Oct 8, 2025. The linked authority identifier is Q20713367. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2012.
A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.
- Subject orientation
- Search vocabulary
- Locating named sources
The closest primary source, responsible institution and strongest cited specialist reference.
Three-step research path
- Establish the record: confirm the title “The Moving Museum”, its source revision and the description used here.
- Expand the search: follow The Moving Museum primary sources, The Moving Museum archive and Moving research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “The Moving Museum”?
- Which institution is responsible for the underlying evidence?
- Which cited source is closest to the event, object or claim?
Search terms from this dossier
This entry incorporates text from “The Moving Museum” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.