Metamorphosis of Narcissus
painting by Salvador Dalí

Metamorphosis of Narcissus is an oil-on-canvas painting by the Spanish surrealist Salvador Dalí, from 1937. Originally titled Métamorphose de Narcisse, This painting is from Dalí's paranoiac-critical period and depicts his interpretation of the Greek myth of Narcissus. Dalí began his painting in the spring of 1937 while in Zürs, in the Austrian Alps.
Myth of Narcissus
According to Greek mythology, Narcissus's beauty made him attractive to nearly everyone who saw him and both men and women pursued him, but he rejected all advances. One of his admirers, a nymph named Echo, fell so madly in love with him that, after he rejected her, she wasted away until only her voice remained. The goddess Nemesis, taking pity on Echo, convinced Narcissus to gaze into a pool. Upon seeing his face reflected in the water, Narcissus fell in love with his reflection. Because he was unable to embrace his reflection, Narcissus too wasted away and in his place grew the flower that bears his name, the narcissus.
Dalí's interpretation
In Dalí's painting, he depicts the figure of Narcissus on the left side of the canvas crouched by a lake, with his head resting on his knee, and a stone hand clutching an egg mirroring the shape of his body on the right. From out of the cracked egg, a narcissus flower sprouts.
The public source identifies “Metamorphosis of Narcissus” as painting by Salvador Dalí. This brief keeps that definition visible, then builds a research path around Metamorphosis, Narcissus and painting.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Metamorphosis of Narcissus”, the useful work is to connect “painting by Salvador Dalí” to the records capable of establishing context and consequence.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 9, 2026. The linked authority identifier is Q2464824. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1937.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Metamorphosis of Narcissus”, its source revision and the description used here.
- Expand the search: follow Metamorphosis of Narcissus primary sources, Metamorphosis of Narcissus archive and Metamorphosis research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Metamorphosis of Narcissus”?
- Where is authorship, date or provenance documented?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Metamorphosis of Narcissus” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.