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The Masque of Beauty

masque by Ben Jonson

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 24, 2026
Entity authorityQ7750542 ↗
Source-derived summary

The Masque of Beauty was a courtly masque written by Ben Jonson, and performed in London's Whitehall Palace on 10 January 1608. It inaugurated the refurbished banqueting hall of the palace (the predecessor of Inigo Jones' building). It was a sequel to the preceding Masque of Blackness, which had been performed three years earlier, on 6 January 1605. In The Masque of Beauty, the "daughters of Niger" of the earlier piece were shown cleansed of the black pigment they had worn on the prior occasion.

The show

Like its earlier companion piece, The Masque of Beauty was performed by Anne of Denmark and ladies of her court, and witnessed by King James. The Venetian ambassador Zorzi Giustinian gave credit to the Queen as "authoress of the whole". The number of court ladies included was increased from the twelve in Blackness to sixteen. The participants were the Countesses of Arundel, Bedford, Derby, and Montgomery, and the Ladies Chichester, Walsingham, Windsor, Anne Clifford, Elizabeth Girrard, Elizabeth Guilford, Elizabeth Hatton, Mary Neville, Katherine Petre, Anne Winter, and Arbella Stuart. Gossip held that the women chosen were largely Roman Catholic.

The masquers wore costumes of orange-tawny and silver or sea-green and silver; the torchbearers were dressed as Cupids; the presenters of the masque were styled as Januarius, Boreas, Vulturnus, and Thamesis, and the musicians as "echoes and shades of old poets." A black curtain representing Night was withdrawn to display the masquers, assembled on a "Throne of Beauty" borne upon a floating island.

Editorial summary

This brief starts where responsible research should: with the source description of “The Masque of Beauty” as masque by Ben Jonson. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1608, 1605—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Masque, Beauty and masque can be independently traced.
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Why this record matters

The subject matters to the general reference register because the source frames it as masque by Ben Jonson. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Sep 24, 2026. The linked authority identifier is Q7750542. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1608 and 1605.

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Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from “The Masque of Beauty” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.