The Man from Glengarry
1922 film directed by Henry MacRae

The Man from Glengarry is a 1922 American-Canadian silent drama film directed by Henry MacRae and starring Anders Randolf, Warner Richmond, and Pauline Garon. It is based on the 1901 novel of the same title by Ralph Connor. The film was distributed in the United States by W.W. Hodkinson in 1923. It was one of three silent films directed by MacRae based on the works of Connor.
Plot
Heads of rival lumber camps meet in a fight. Louis Lenoir, a renegade French Canadian, causes the death of "Big" MacDonald, a hard-fighting Scotsman whose life is guided by his dogmatic religious beliefs. His son, Ranald, is left to settle the blood feud. In spite of the pleas of his sweetheart, the daughter of a minister, he participates in a gang fight on the logs in mid-river just as a log drive to Ottawa begins. Attempting to stop the fight, the girl becomes involved, falls into danger, and is carried toward a whirlpool; but MacDonald, having abandoned his attack on Lenoir, rescues her. At the finish Lenoir, grateful because his life has been spared, experiences a reformation.
The public source identifies “The Man from Glengarry” as 1922 film directed by Henry MacRae. This brief keeps that definition visible, then builds a research path around Glengarry, film and directed.
Why this record matters
A short description can identify a subject without explaining its stakes. For “The Man from Glengarry”, the useful work is to connect “1922 film directed by Henry MacRae” to the records capable of establishing context and consequence.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Feb 20, 2026. The linked authority identifier is Q102036311. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1922, 1901 and 1923.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “The Man from Glengarry”, its source revision and the description used here.
- Expand the search: follow The Man from Glengarry primary sources, The Man from Glengarry archive and Glengarry research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “The Man from Glengarry”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “The Man from Glengarry” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.