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Madonna of the Carnation

painting by Leonardo da Vinci in the Alte Pinakothek, Munich

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 17, 2026
Entity authorityQ698015 ↗
Source-derived summary

The Madonna of the Carnation, also known as the Madonna with Vase, Madonna with Child or Virgin with Flower, is a Renaissance oil painting by Leonardo da Vinci created around 1478–1480. It is permanently displayed at the Alte Pinakothek gallery in Munich, Germany.

The central and centered motif is the young Virgin Mary seated with Baby Jesus on her lap. Depicted in sumptuous clothes and jewellery, with her left hand Mary holds a carnation (red, suggesting blood and the Passion). The faces are put into light while all other objects are darker, e.g. the flower is covered by a shadow. The child is looking up and the mother looking down, with no eye contact. The setting of the portrait is a room with two windows on each side of the figures.

Originally this painting was thought to have been created by Andrea del Verrocchio, but subsequent art historians agree that it is Leonardo's work, probably made during his apprenticeship to Verrocchio. The Virgin's hair, left hand, the drapery, and flowers are similar to elements of Leonardo's Annunciation.

Editorial summary

The public source identifies “Madonna of the Carnation” as painting by Leonardo da Vinci in the Alte Pinakothek, Munich. This brief keeps that definition visible, then builds a research path around Madonna, Carnation and painting.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1478, 1480—that can be checked directly. The linked authority record independently contributes the date 1475. Its value is orientation rather than verdict, with Madonna, Carnation and painting providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Madonna of the Carnation”, the useful work is to connect “painting by Leonardo da Vinci in the Alte Pinakothek, Munich” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 17, 2026. The linked authority identifier is Q698015. 1 of 1 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1478 and 1480.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Madonna of the Carnation”, its source revision and the description used here.
  2. Expand the search: follow Madonna of the Carnation primary sources, Madonna of the Carnation archive and Madonna research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Madonna of the Carnation”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Madonna of the Carnation” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.