The London Figaro

The London Figaro was a London periodical devoted to politics, literature, art, criticism and satire during the Victorian era. It was founded as a daily paper in 1870 with the backing of Napoleon III but after a year re-established itself as a general interest weekly magazine and is chiefly remembered nowadays for its highly independent drama criticism.

The first issue was published by James Mortimer on 17 May 1870, from a small shop at 199 Strand. It was initially a daily periodical and continued to be published daily until 18 March 1871. At this point it changed format from a newspaper to a weekly magazine owing to the withdrawal of its financial support as a result of French defeat in the Franco-Prussian War.

Among those who contributed to it were William Archer (writing as Almaviva, drama critic), Ernest Bendall, Faustin Betbeder (Faustin, caricaturist), Percy Betts (Cherubino, musical critic), Ambrose Bierce (Passing Showman, Town Crier), Edward Bradley (Cuthbert Bede), Aglen Dowty (Young and Happy Husband, OPQ Philander Smiff), John Baker Hopkins, Frank Marshall, Edwin Milliken, Clement Scott (Almaviva, drama critic), and Edward Blanchard (drama critic). Mortimer was a chess master and so the Figaro had a chess column, which from 1872 until 1876 was contributed by Johann Löwenthal and from 1876 to 1882 by Wilhelm Steinitz.

The magazine became very popular during the mid-1870s and for several years was published twice a week. Mortimer was very supportive of his writers and in particular strove to shield the identities of his drama critics, Clement Scott, and later William Archer, both of whom wrote under the pseudonym, Almaviva. Mortimer suffered much personal abuse from actors and promoters as a result.