The Kinks
British rock band (1963-1996)
The Kinks were an English pop/rock band formed in London in 1962. The band's classic line-up comprised brothers Ray Davies (lead vocals, rhythm guitar) and Dave Davies (lead guitar, vocals), Pete Quaife (bass), and Mick Avory (drums, percussion). Emerging during the height of British rhythm and blues and Merseybeat, their breakthrough third single, the Ray Davies-penned "You Really Got Me" (1964), became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Other early hits included "All Day and All of the Night" (1964), "Tired of Waiting for You", "Set Me Free", "See My Friends", and "Till the End of the Day" (all 1965). They were part of the British Invasion of America until several problems during their 1965 American tour led to them being banned from touring there for several years.
The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. Beginning with the late 1965 Kwyet Kinks EP, the band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies's observational and satirical lyricism, and made apparent in albums such as Face to Face (1966), Something Else by the Kinks (1967), The Kinks Are the Village Green Preservation Society (1968), Arthur (Or the Decline and Fall of the British Empire) (1969), Lola Versus Powerman and the Moneygoround, Part One (1970), and Muswell Hillbillies (1971), along with their hit singles during this period, including "Dedicated Follower of Fashion", "Sunny Afternoon", "Dead End Street" (all 1966), "Waterloo Sunset", "Autumn Almanac" (both 1967), "Days" (1968), and "Lola" (1970). After a fallow period in the mid-1970s, the band experienced a revival with their albums Sleepwalker (1977), Misfits (1978), Low Budget (1979), Give the People What They Want (1981), and State of Confusion (1983), the last of which produced one of the band's most successful US hits, "Come Dancing".
The Davies brothers remained with the band throughout its history. Quaife briefly left the band in 1966 and was replaced by John Dalton, though Quaife returned by the end of that year before leaving permanently in 1969, once again being replaced by Dalton.
“The Kinks” enters the record as british rock band (1963-1996). Crown Archives preserves that source wording while asking what Kinks, British and rock can confirm, complicate or overturn.
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“The Kinks” is worth following because a concise public description often conceals a longer documentary argument. Here, Kinks, British and rock provides the most credible route into that argument.
Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Sep 22, 2026. The linked authority identifier is Q188713. VIAF identifies the subject as 268270093. The Library of Congress control number is n84054310. 3 of 5 selected statements include explicit references; 2 carry qualifiers and 0 use preferred rank. The first chronological checks are 1962, 1964, 1965 and 1966.
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This entry incorporates text from “The Kinks” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.