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The International Tracks

compilation album by Juluka

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 9, 2023
Entity authorityQ7742334
Source-derived summary

The International Tracks is a 1984 EP collecting various singles and remixed tracks by Juluka, a South African band led by Johnny Clegg and Sipho Mchunu. The songs on this album had all been previously released internationally but not in South Africa; hence the title. The cover is the same as Stand Your Ground but with a slightly different track listing, including two dance mixes and excluding four songs previously released on the 1983 album Work for All.

Editorial summary

The public source identifies “The International Tracks” as compilation album by Juluka. This brief keeps that definition visible, then builds a research path around International, Tracks and compilation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1984, 1983—that can be checked directly. The linked authority record independently contributes the date 1984-01-01. Its value is orientation rather than verdict, with International, Tracks and compilation providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The International Tracks”, the useful work is to connect “compilation album by Juluka” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 9, 2023. The linked authority identifier is Q7742334. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1984 and 1983.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The International Tracks”, its source revision and the description used here.
  2. Expand the search: follow The International Tracks primary sources, The International Tracks archive and International research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The International Tracks”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from The International Tracks” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.