The Humans (play)
play written by Stephen Karam

The Humans is a one-act play written by Stephen Karam. The play opened on Broadway in 2016 after an engagement Off-Broadway in 2015. The Humans was a finalist for the 2016 Pulitzer Prize for Drama and won the 2016 Tony Award for Best Play.
Plot
The entire play takes place during a single evening in a sparsely furnished, somewhat shabby basement duplex apartment in New York City’s Chinatown. Brigid Blake, a young aspiring composer, and her boyfriend Richard Saad, who is completing his social work degree, have just moved in together and are hosting Thanksgiving dinner for Brigid’s family.
The guests are Brigid’s working-class, Irish-American parents, Erik and Deirdre Blake, her sister Aimee, a Philadelphia lawyer suffering from ulcerative colitis and a recent breakup with her girlfriend, and Fiona “Momo” Blake, Brigid’s grandmother, who suffers from severe dementia. Momo frequently mumbles incoherently throughout the evening, requiring constant care and attention.
As the family settles in, old patterns of conversation, teasing, and tension quickly reemerge. Erik and Deirdre disapprove of Brigid living with Richard before marriage and are skeptical of her career ambitions. Deirdre, who works an unglamorous office job, also expresses resentment about how she feels mocked for her lack of sophistication.
This brief starts where responsible research should: with the source description of “The Humans (play)” as play written by Stephen Karam. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as play written by Stephen Karam. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 3, 2026. The linked authority identifier is Q24470901. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2016 and 2015.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “The Humans (play)”, its source revision and the description used here.
- Expand the search: follow The Humans (play) primary sources, The Humans (play) archive and Humans research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “The Humans (play)”?
- Where is authorship, date or provenance documented?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “The Humans (play)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.