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The Heiresses (2018 film)

2018 film directed by Marcelo Martinessi

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 17, 2026
Entity authorityQ48674323 ↗
Source-derived summary

The Heiresses (Spanish: Las herederas) is a 2018 drama film written and directed by Marcelo Martinessi. Set in contemporary Asunción, Paraguay, it tells the story of two women who have lived together for 30 years in an inherited house but are running out of money. When one is imprisoned for attempted fraud, the other has to readjust her life.

The film is a co-production of Paraguay, Uruguay, Germany, Brazil, Norway and France. It was selected to compete for the Golden Bear at the 68th Berlin International Film Festival, where lead actress Ana Brun won the Silver Bear for Best Actress and Martinessi won the Alfred Bauer Prize.

Plot

Chela and Chiquita have been a couple for over 30 years but their funds are running out. They start selling the furniture and Chela, fearing disgrace, refuses money from friends. When Chiquita gets notice to report to the city jail, charged with seeking a loan fraudulently, Chela is suddenly on her own. Telling people Chiquita has gone for a stay by the sea, she carries on selling the house contents. Picuta, an elderly lady living close by, asks if Chela will drive her to visit friends who meet for cards and gossip.

Editorial summary

“The Heiresses (2018 film)” enters the record as 2018 film directed by Marcelo Martinessi. Crown Archives preserves that source wording while asking what Heiresses, film and directed can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2018—that can be checked directly. The authority record carries competing date values—2018-02-16, 2018-11-29—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Heiresses, film and directed.
Editorial analysis

Why this record matters

“The Heiresses (2018 film)” is worth following because a concise public description often conceals a longer documentary argument. Here, Heiresses, film and directed provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 17, 2026. The linked authority identifier is Q48674323. 1 of 2 selected statements include explicit references; 2 carry qualifiers and 0 use preferred rank. The first chronological checks are 2018.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Heiresses (2018 film)”, its source revision and the description used here.
  2. Expand the search: follow The Heiresses (2018 film) primary sources, The Heiresses (2018 film) archive and Heiresses research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Heiresses (2018 film)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “The Heiresses (2018 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.