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The Good Fight for Harmony

album by Eleventh He Reaches London

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 26, 2026
Entity authorityQ7737210 ↗
Source-derived summary

The Good Fight For Harmony is the debut album by the Australian post-hardcore band Eleventh He Reaches London. The album was initially released independently by the band in December 2005; it was then re-released in August 2008 by Good Cop Bad Cop Records. The album was remastered and released on vinyl by Hobbledehoy Records in June 2012.

In early 2005 Eleventh He Reaches London began recording their first full-length album with Allen Smith at Bergerk! Studios. During this period, the band performed at the Western Australian Music Industry Awards Festival and RTRFM's 'In The Pines', as well as being the only main stage support act on Taste of Chaos' Perth leg of their Australian tour, where they performed to a sold-out Robinson Pavilion. After six months in the recording studio, with the album mastered by Shaun O'Callaghan at Studio Couch, The Good Fight For Harmony was released on 14 December 2005. It reached the top of the local charts, almost selling out of its first pressing within a month and a half. "Say You See Why So" received airplay on Triple J and local radio.

Drummer Mark Donaldson stated: “We never really gave any thought to releasing an EP or singles, because we believe that you can get more enjoyment out of our band across an album.

Editorial summary

The public source identifies “The Good Fight for Harmony” as album by Eleventh He Reaches London. This brief keeps that definition visible, then builds a research path around Good, Fight and Harmony.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2005, 2008, 2012—that can be checked directly. The linked authority record independently contributes the date 2005. Its value is orientation rather than verdict, with Good, Fight and Harmony providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The Good Fight for Harmony”, the useful work is to connect “album by Eleventh He Reaches London” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 26, 2026. The linked authority identifier is Q7737210. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2005, 2008 and 2012.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Good Fight for Harmony”, its source revision and the description used here.
  2. Expand the search: follow The Good Fight for Harmony primary sources, The Good Fight for Harmony archive and Good research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Good Fight for Harmony”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “The Good Fight for Harmony” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.