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The Exorcism (film)

2024 American supernatural horror film by Joshua John Miller

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 9, 2026
Entity authorityQ73792046 ↗
Source-derived summary

The Exorcism is a 2024 American supernatural horror film starring Russell Crowe as Anthony Miller, an actor whose deteriorating mental state on a horror movie set causes his daughter (Ryan Simpkins) to suspect either his former addictions or a more sinister cause. It is directed by Joshua John Miller, from a script he co-wrote with M. A. Fortin. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg, Adrian Pasdar, and David Hyde Pierce.

Vertical released The Exorcism in theaters in the United States on June 21, 2024, and digital platforms on July 9, 2024. The film received negative reviews from critics and grossed $12.6 million worldwide.

Plot

In New York City, Tom, an actor playing a priest in a supernatural horror film called The Georgetown Project (resembling The Exorcist), is inspecting the set alone when he is mysteriously killed by a supernatural force.

Peter, the film’s demanding director, taps aging, alcoholic actor Anthony Miller to replace Tom in the film. Anthony's daughter Lee, suspended from high school, is his personal assistant on the film. Both are recovering from her mother's death. Miller's background as a sexual abuse victim comes out, and he has difficulty on the film set and off, often having flashbacks to his molestation.

Editorial summary

Begin with the source’s own compact description: “The Exorcism (film)” is 2024 American supernatural horror film by Joshua John Miller. The dossier treats that line as a proposition to test through Exorcism, film and American, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2024—that can be checked directly. The authority record carries competing date values—2024-06-21, 2024-07-04—which should remain separate until their references and qualifiers are resolved. For this dossier, Exorcism, film and American is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2024 American supernatural horror film by Joshua John Miller” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 9, 2026. The linked authority identifier is Q73792046. 1 of 3 selected statements include explicit references; 3 carry qualifiers and 0 use preferred rank. The first chronological checks are 2024.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Tracing reception history
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Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Exorcism (film)”, its source revision and the description used here.
  2. Expand the search: follow The Exorcism (film) primary sources, The Exorcism (film) archive and Exorcism research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Exorcism (film)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “The Exorcism (film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.