CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

La fuga (1965 film)

1964 film by Paolo Spinola

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 28, 2026
Entity authorityQ769507 ↗
Source-derived summary

La fuga, also known as The Escape, is a 1965 Italian drama film directed by Paolo Spinola. For this film Giovanna Ralli was awarded with a David di Donatello for Best Actress.

Plot

Cast

Giovanna Ralli as Piera

Anouk Aimée as Luisa

Paul Guers as Andrea

Enrico Maria Salerno as Analyst

Maurizio Arena as Alberto

Jone Salinas as Mother of Andrea

Guido Alberti as Father of Piera

Carol Walker as Mother of Piera

Ignazio Dolce as the diver

Production

The film marked the directorial debut of Paolo Spinola; for the lead role, he chose Giovanna Ralli, whom he had met in 1953 on the set of It Happened in the Park, where he had worked as an assistant director. Spinola described the film as "the analysis of a marital relationship based entirely on a psychoanalytic fabric of a Freudian type", and the screenplay was co-written with psychoanalyst Piero Bellanova.

Release

The film received a domestic theatrical release in early 1965. It was picked up by 20th Century Fox for international distribution, and released in the United States, where it premiered in New York in March 1966 as The Escape. Fox released it also in France, Mexico, and West Germany.

Reception

Italian film historian Roberto Curti described the film as "one of the finest feature film debuts of the decade", "surprisingly elegant" and with an "extraordinary visual style".

According to Fox records, the film needed to earn $700,000 in rentals to break even and made $230,000, meaning it made a loss.

Editorial summary

“La fuga (1965 film)” enters the record as 1964 film by Paolo Spinola. Crown Archives preserves that source wording while asking what fuga, film and Paolo can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1965, 1953, 1966—that can be checked directly. The linked authority record independently contributes the date 1964-01-01. Its strongest next move is a source search built around fuga, film and Paolo.
Editorial analysis

Why this record matters

“La fuga (1965 film)” is worth following because a concise public description often conceals a longer documentary argument. Here, fuga, film and Paolo provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 28, 2026. The linked authority identifier is Q769507. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1965, 1953 and 1966.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “La fuga (1965 film)”, its source revision and the description used here.
  2. Expand the search: follow La fuga (1965 film) primary sources, La fuga (1965 film) archive and fuga research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “La fuga (1965 film)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “La fuga (1965 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.