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The Deer Stealer

painting by James Ward

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 8, 2026
Entity authorityQ28533040 ↗
Source-derived summary

The Deer Stealer is an oil painting on canvas by the English artist James Ward, from 1823. It is held at the Tate Britain, in London.

History and description

Combining landscape and genre painting, it depicts a poacher in a forest scene, accompanied by a white horse and a dead deer that he had just shot. The painting implies a strong criticism of illegal hunting. It was commissioned for five hundred guineas but the owner, Theophilus Levett, was so delighted with the final work that he instead paid him six hundred, the highest Ward ever received for a private commission.

It was exhibited at the Royal Academy's Summer Exhibition of 1823 at Somerset House. Today it is in the collection of Tate Britain, having been acquired in 1950.

An 1820 pencil study for the poacher, depicting him in great detail, which was effectively lost in the final version due to its large scale, is in the Yale Center for British Art, in New Haven.

References

Bibliography

Beckett, Oliver. The Life and Work of James Ward, R.A., 1769-1859: The Forgotten Genius.

Editorial summary

“The Deer Stealer” enters the record as painting by James Ward. Crown Archives preserves that source wording while asking what Deer, Stealer and painting can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1823, 1950, 1820, 1769—that can be checked directly. The linked authority record independently contributes the date 1823-01-01. Its strongest next move is a source search built around Deer, Stealer and painting.
Editorial analysis

Why this record matters

“The Deer Stealer” is worth following because a concise public description often conceals a longer documentary argument. Here, Deer, Stealer and painting provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 8, 2026. The linked authority identifier is Q28533040. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1823, 1950, 1820 and 1769.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Deer Stealer”, its source revision and the description used here.
  2. Expand the search: follow The Deer Stealer primary sources, The Deer Stealer archive and Deer research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Deer Stealer”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “The Deer Stealer” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.