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The Dead Christ with Angels

painting by Édouard Manet

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 27, 2026
Entity authorityQ2752079 ↗
Source-derived summary

The Dead Christ with Angels is an 1864 oil painting by French painter Édouard Manet. The painting depicts the biblical story (John 20:12) of Mary Magdalene entering the tomb of Jesus and seeing two angels but finding Jesus's body missing. It is now in the Metropolitan Museum of Art in New York City.

Manet seldom chose to paint images with religious meaning, and he tended to focus on contemporary subjects. John Hunisak speculates that Manet may have wanted to display a religious work at the Salon of 1864 because of the negative reaction he had received for his recent paintings of modern subjects. Manet may have hoped, Hunisak suggests, that the more traditional topic, with a contemporary twist, would please his supporters and critics alike.

Description

This work sparked controversy and confusion among viewers due to certain stylistic choices Manet made in representing the story.

Most notably, Manet shows the two angels with the body of the dead Christ still visible. The Bible verses referenced describe the angels dressed in white, however Manet's choice was to depict them dressed in bright red and orange colors. Vladimir Gurewich suggests that this decision was most likely meant to heighten the drama of the scene.

Editorial summary

The public source identifies “The Dead Christ with Angels” as painting by Édouard Manet. This brief keeps that definition visible, then builds a research path around Dead, Christ and Angels.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1864—that can be checked directly. The linked authority record independently contributes the date 1864-01-01. Its value is orientation rather than verdict, with Dead, Christ and Angels providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The Dead Christ with Angels”, the useful work is to connect “painting by Édouard Manet” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jun 27, 2026. The linked authority identifier is Q2752079. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1864.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Dead Christ with Angels”, its source revision and the description used here.
  2. Expand the search: follow The Dead Christ with Angels primary sources, The Dead Christ with Angels archive and Dead research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Dead Christ with Angels”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “The Dead Christ with Angels” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.