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The Coronation of Napoleon

painting by Jacques-Louis David, completed in 1807

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 27, 2026
Entity authorityQ1231009 ↗
Source-derived summary

The Coronation of Napoleon (French: Le Sacre de Napoléon) is a painting completed in 1807 by Jacques-Louis David, the official painter of Napoleon, depicting the coronation of Napoleon at Notre-Dame de Paris. The oil painting has imposing dimensions – it is almost 10 metres (33 ft) wide by a little over 6 metres (20 ft) tall. The work is on display at the Louvre Museum in Paris, France.

History of the work

The work was commissioned by Napoleon orally in September 1804, and Jacques-Louis David started work on it on 21 December 1805 in the former chapel of the College of Cluny, near the Sorbonne, which served as a workshop. Assisted by his student Georges Rouget, he put the finishing touches in January 1808.

From 7 February to 22 March 1808, the work was exhibited at the Salon of 1808 at the Louvre, and it was presented to the Salon decennial prize competition at the Salon of 1810. The painting remained the property of David until 1819 when it was transferred to the Royal Museums, where it was stored in the reserves until 1837. It was subsequently installed in the Chamber Sacre of the museum of the historical Palace of Versailles on the orders of King Louis-Philippe. In 1889, the painting was transferred to the Louvre from Versailles.

David was commissioned by American entrepreneurs to paint a full size replica in 1808, immediately after the release of the original.

Editorial summary

“The Coronation of Napoleon” enters the record as painting by Jacques-Louis David, completed in 1807. Crown Archives preserves that source wording while asking what Coronation, Napoleon and painting can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1807, 1804, 1805, 1808—that can be checked directly. The linked authority record independently contributes the date 1807. Its strongest next move is a source search built around Coronation, Napoleon and painting.
Editorial analysis

Why this record matters

“The Coronation of Napoleon” is worth following because a concise public description often conceals a longer documentary argument. Here, Coronation, Napoleon and painting provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jun 27, 2026. The linked authority identifier is Q1231009. 1 of 2 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1807, 1804, 1805 and 1808.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Coronation of Napoleon”, its source revision and the description used here.
  2. Expand the search: follow The Coronation of Napoleon primary sources, The Coronation of Napoleon archive and Coronation research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Coronation of Napoleon”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “The Coronation of Napoleon” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.