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The Complete Porgy and Bess

1956 album

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 23, 2025
Entity authorityQ7727169 ↗
Source-derived summary

This 1956 recording based on George Gershwin's opera Porgy and Bess was the second "complete" recording of the opera after the 1951 version, and the first recording of the work to feature jazz singers and musicians instead of operatic singers and a classical orchestra.

Russell Garcia arranged Gershwin's work for the Bethlehem Orchestra, the Duke Ellington Orchestra, the Australian Jazz Quintet, the Pat Moran Quartet and the Stan Levey Group. Mel Tormé sang the role of Porgy and Frances Faye the role of Bess. The Ellington Orchestra plays "Summertime" as the overture, but does not appear elsewhere on the album.

Originally released by Bethlehem Records in 1956 (3BP-1); reissued in the 1970s (EXLP-1). Highlights from this recording released by Bethlehem as BCP 6040 and BCP 6009. On CD: Bethlehem Records #BET6028-2 (Released 1994), Rhino Records #75828 (Released 1999).

Cast

Mel Tormé (Porgy)

Frances Faye (Bess)

Johnny Hartman (Crown)

Betty Roche (Clara)

George Kirby (Sportin' Life)

Sallie Blair (Serena)

Frank Rosolino (Jake)

Loulie Jean Norman (Strawberry Woman)

Joe Derise (Honey Man)

Bob Dorough (Crab Man)

Pat Moran Quartet (Pat Moran McCoy, John Doling, Johnny Whited, Bev Kelly)

Orchestra

Duke Ellington Orchestra): Duke Ellington, piano; William "Cat" Anderson, Willie Cook, Clark Terry (trumpet); Ray Nance (trumpet, violin); Quentin Jackson, John Sanders, Britt Woodman (trombone); Russell Procope (clarinet, alto saxophone); Jimmy Hamilton (clarinet, tenor saxophone); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (baritone saxophone); Jimmy Woode (bass); Sam Woodyard (drums)

Australian Jazz Quintet: Dick Healey (alto saxophone, flute); Erroll Buddle (tenor saxophone, bassoon); Jack Brokensha (vibraphone); Bryce Rohde (piano); Jimmy Gannon (bass); Frank Capp (drums)

Stan Levey Group: Conte Candoli, (trumpet); Frank Rosolino (trombone); Richie Kamuca (tenor saxophone); Sonny Clark (piano); Leroy Vinnegar (bass); Stan Levey (drums) [1]

External links

Dachslager, Earl L. (Winter 2000). "Various Artists: George Gershwin's Porgy and Bess". Songbirds.

Editorial summary

This brief starts where responsible research should: with the source description of “The Complete Porgy and Bess” as 1956 album. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1956, 1951, 1994, 1999—that can be checked directly. The linked authority record independently contributes the date 1956. The account is most persuasive where Complete, Porgy and Bess can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1956 album. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 23, 2025. The linked authority identifier is Q7727169. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1956, 1951, 1994 and 1999.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Complete Porgy and Bess”, its source revision and the description used here.
  2. Expand the search: follow The Complete Porgy and Bess primary sources, The Complete Porgy and Bess archive and Complete research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Complete Porgy and Bess”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “The Complete Porgy and Bess” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.