The Chinkees
musical artist

The Chinkees are an American ska punk band fronted by Mike Park (formerly of Skankin' Pickle). The group debuted with 1998's The Chinkees Are Coming!, and followed with 1999's Peace Through Music and 2002's Searching for a Brighter Future before a greatest hits album was released in 2003. According to the liner notes for the band's debut album The Chinkees Are Coming!, the music was recorded by members of the band Tuesday with vocals provided by Mike Park. Subsequent albums were recorded all or in part by members Park, Miya Osaki, Greg Alesandro, Jason Thinh, and Steve Choi, as well as "guest" musicians, including Slapstick and Tuesday drummer Rob Kellenberger and Link 80's Steve Borth, often with members trading and playing different instruments than listed. All of the members were involved with the ska/punk scene. Jason Thinh was from the band Short Round, Miya was a member of the Santa Cruz punk trio The Muggs, Greg Alesandro a member of San Jose band Statue Man, and Steve Choi later becoming a keyboardist and guitarist for Rx Bandits in 1999.
After the "Chinkees Are Coming" album was released in 1998, the newly recruited members of The Chinkees headed for some warm up dates in Mexico supporting Riverside punks Voodoo Glow Skulls and San Diego's Buck-O-Nine before going on their first tour of Japan in 1999, supporting Japanese ska punk legends Kemuri. After a short stint on the west coast with fellow Asian Man Records recording artists MU330 and the then up and coming Alkaline Trio, the band again headed to Japan in the spring of 2000 with label mates MU330, and Tokyo ska punks Potshot. Europe was next as the band took part in a summer 2000 tour dubbed "Monsters of Ska" with Link 80 and MU330. 2001 saw another Japanese tour, again in support of Potshot, as well as Detroit's Suicide Machines, followed the next year by a UK tour with Potshot, and the UK band Lightyear, which proved to be the last major undertaking of the band as it has remained on hiatus ever since.
“The Chinkees” enters the record as musical artist. Crown Archives preserves that source wording while asking what Chinkees, musical and artist can confirm, complicate or overturn.
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“The Chinkees” is worth following because a concise public description often conceals a longer documentary argument. Here, Chinkees, musical and artist provides the most credible route into that argument.
Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Feb 24, 2026. The linked authority identifier is Q7722584. VIAF identifies the subject as 139827742. The Library of Congress control number is no00081431. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1998, 1999, 2002 and 2003.
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This entry incorporates text from “The Chinkees” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.