CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

A Symposium on Popular Songs

1962 animated short film directed by Bill Justice

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 2, 2026
Entity authorityQ300579 ↗
Source-derived summary

A Symposium on Popular Songs is a special cartoon featurette made by Walt Disney Productions in 1962. It features songs that were written by the Sherman Brothers, with music arrangements by Tutti Camarata. The Shermans also co-wrote the screenplay but are not credited for this. Host Ludwig Von Drake invites his audience into his mansion where he tells all about popular music through the years, introducing several songs illustrated with stop-motion photography. The film was nominated for an Academy Award for Best Animated Short Film.

Songs

"The Rutabaga Rag"

"The Rutabaga Rag", performed by Paul Frees as Ludwig Von Drake, was not written as a parody of ragtime, but rather as an authentic ragtime song. In the course of the film's narration, Von Drake claims to have invented ragtime music and, specifically, this song. During the song, a variety of stop-motion animated vegetables with faces appear and dance to the song.

"Charleston Charlie"

"Charleston Charlie", performed by Betty Boopie Doop (Gloria Wood), makes direct reference to the singing style exemplified by Helen Kane in her flapper era iconic song "He's So Unusual", which was co-written by the Sherman Brothers' Tin Pan Alley songwriting father, Al Sherman in 1929. The subject of both songs is a male college student whom the singer desires.

Editorial summary

This brief starts where responsible research should: with the source description of “A Symposium on Popular Songs” as 1962 animated short film directed by Bill Justice. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1962, 1929—that can be checked directly. The linked authority record independently contributes the date 1962-01-01. The account is most persuasive where Symposium, Popular and Songs can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1962 animated short film directed by Bill Justice. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Mar 2, 2026. The linked authority identifier is Q300579. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1962 and 1929.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “A Symposium on Popular Songs”, its source revision and the description used here.
  2. Expand the search: follow A Symposium on Popular Songs primary sources, A Symposium on Popular Songs archive and Symposium research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “A Symposium on Popular Songs”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “A Symposium on Popular Songs” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.