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Love and the Russian Winter

album by Simply Red

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionOct 7, 2025
Entity authorityQ1627679 ↗
Source-derived summary

Love and the Russian Winter is the seventh studio album by British pop and soul group Simply Red, released on 1 November 1999. It marks a distinct change from the band's preceding albums, featuring a more computer-generated sound. The album was released mainly due to pressure from their record label to fulfil their contract. It features a cover version of "Ain't That a Lot of Love", written by Willia Dean Parker and Homer Banks.

Track listing

All tracks written by Mick Hucknall, except where noted. All tracks produced by Andy Wright, Gota Yashiki and Mick Hucknall. Additional production on "Your Eyes" by Merv Pearson.

"The Spirit of Life" – 4:42

"Ain't That a Lot of Love" (Willia Dean Parker, Homer Banks) – 3:56

"Your Eyes" – 4:15

"The Sky Is a Gypsy" – 4:33

"Back into the Universe" – 3:48

"Words for Girlfriends" – 5:07

"Thank You" – 4:01

"Man Made the Gun" – 4:58

"Close to You" – 4:33

"More Than a Dream" – 3:52

"Wave the Old World Goodbye" – 3:46

Japan Edition

"The Spirit of Life" – 4:42

"Ain't That a Lot of Love" – 3:56

"Your Eyes" – 4:15

"The Sky Is a Gypsy" – 4:33

"Back into the Universe" – 3:48

"Words for Girlfriends" – 5:07

"Thank You" – 4:01

"Man Made the Gun" – 4:58

"Close to You" – 4:33

"Come on in My Kitchen" (Bonus track)

"More Than a Dream" – 3:52

"Wave the Old World Goodbye" – 3:46

2008 Special Edition bonus tracks

"Ain't That a Lot of Love" (Phats & Small Mutant Disco Vocal Mix) – 6:08

"Ain't That a Lot of Love" (Club 69 Underground Dub Mx) – 6:36

"Your Eyes" (Mousse T Acoustic) – 3:54

"Your Eyes" (Ignorants Remix) – 4:41

"Your Eyes" (Jimmy Gomez Funky Mix) – 7:06

Personnel

Simply Red

Mick Hucknall – lead vocals, backing vocals, horn arrangements

Tim Vine – keyboards, bass

Andy Wright – keyboards, programming, bass

Mark Jaimes – guitars

Gota Yashiki – bass, drums, programming

Ian Kirkham – saxophones

John Johnson – trombone

Kevin Robinson – trumpet

Sarah Brown – backing vocals

Dee Johnson – backing vocals

Additional musicians

Dominic "Dom T." Thrup – keyboards

Aiden Love – keyboards

Phillipe Manjard – keyboards

James Wiltshire – keyboards, programming

Ned Douglas – programming

Merv Pearson – programming (3)

Greg Bone – guitars

Kenji Suzuki – guitars

Wayne Stobbart –bass

Geoff Holroyde – drums

Chris De Margary – saxophones, flute

Production

AGM – producers

Merv Pearson – additional production (3)

Alistair Clay – recording

Alan Douglas – recording

John Lee – recording

Mak Togashi – recording, assistant engineer

Matt White – recording, assistant engineer

James Wiltshire – recording

Emily Cracknell – assistant engineer

Andy Saunders – assistant engineer

Matt Tait – assistant engineer

Josh T – assistant engineer

Kevin Metcalfe – mastering

Peacock – artwork, photographic treatment

Mick Hucknall – original artwork concept

Rick Guest – band photography

Idea – photographic treatment

Studios

Recorded at Westpoint Recording Studios, Metropolis Studios and The Town House (London, UK).

Mastered at The Soundmasters (London, UK).

Editorial summary

Begin with the source’s own compact description: “Love and the Russian Winter” is album by Simply Red. The dossier treats that line as a proposition to test through Love, Russian and Winter, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1999, 2008—that can be checked directly. The linked authority record independently contributes the date 1999-01-01. For this dossier, Love, Russian and Winter is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by Simply Red” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Oct 7, 2025. The linked authority identifier is Q1627679. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1999 and 2008.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Love and the Russian Winter”, its source revision and the description used here.
  2. Expand the search: follow Love and the Russian Winter primary sources, Love and the Russian Winter archive and Love research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Love and the Russian Winter”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Love and the Russian Winter” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.