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Tetsumi Kudo

Japanese painter, sculptor, and performance artist (1935-1990)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 26, 2026
Entity authorityQ3519205 ↗
Source-derived summary

Tetsumi Kudо̄ (工藤哲巳, Kudō Tetsumi) (23 February 1935 – 12 November 1990) was a Japanese avant-garde artist whose multidisciplinary practice included painting, performance, installation and sculpture. Associated with the Anti-Art (Han-geijutsu) movement in Japan in the late 1950s and early 1960s, Kudо̄'s provocative art was nourished by lifelong interests in science, sport and everyday objects. His work often presents a radically transformed and grotesque vision of the human body, calling into question its desires and its limits, as well as its future and origins. Never having officially identified with any one group or movement throughout his international career, the artist's body of work evades art historical classification.

Biography

Early life and education

Kudо̄ was born in 1935 in Osaka, Japan to two artist parents, both art teachers. His father, painter Kudо̄ Masayoshi, died when Kudō was ten.

He was evacuated as a child to Aomori prefecture, where he spent the final years of World War II. Art historian Nakamura Keiji has commented that while Kudо̄ and other artists associated with the Anti-Art (Han-geijutsu) movement were too young to participate in the war, they were brought up and educated in the ideals of wartime Japan. As such, their country's eventual defeat still "constituted a psychological shock as brutal as it was unexpected".

In high school, Kudо̄ joined the art club and received private lessons from painter Koiso Ryо̄hei. He was also fascinated by science, finding inspiration in photos of cancer and nerve cells that classmates studying medicine shared with him, as well as images taken by electron microscopes.

Editorial summary

This brief starts where responsible research should: with the source description of “Tetsumi Kudo” as japanese painter, sculptor, and performance artist (1935-1990). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1935, 1990—that can be checked directly. The authority record carries competing date values—1935-02-23, 1935-01-01—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Tetsumi, Kudo and Japanese can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as japanese painter, sculptor, and performance artist (1935-1990). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Jul 26, 2026. The linked authority identifier is Q3519205. VIAF identifies the subject as 17493863. The Library of Congress control number is nr96003375. 4 of 4 selected statements include explicit references; 1 carry qualifiers and 1 use preferred rank. The first chronological checks are 1935 and 1990.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Tetsumi Kudo”, its source revision and the description used here.
  2. Expand the search: follow Tetsumi Kudo primary sources, Tetsumi Kudo archive and Tetsumi research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Tetsumi Kudo”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Tetsumi Kudo” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.