More Greatest Hits (Connie Francis album)
1961 compilation album by Connie Francis

More Greatest Hits is a compilation album by United States entertainer Connie Francis. The album features the songs from Francis' most successful singles on the American market from her 1959 hit "Among My Souvenirs" up to the date of the album's release in May 1961.
Background
The album is notable for its change in track listing after its initial release. First pressings of the album featured "Teddy" as track five of the B-side. Copyright issues between MGM Records, Francis' own song publishing company Francon Music Inc. and the song's composer Paul Anka led to the replacement of "Teddy" by the Kadish Millett composition "Valentino."
"Valentino" had never been a U. S. single but it had been a modest hit for Francis in Europe and was subsequently covered in the native languages of several European countries such as Germany (recorded by Caterina Valente as well as Angèle Durand) and The Netherlands (recorded by The Fouryo's). "Valentino" was also featured in different versions on the album: The stereo pressings contained the single vocal take of the song while the mono pressings contained the double vocal version where Francis harmonized with herself.
The public source identifies “More Greatest Hits (Connie Francis album)” as 1961 compilation album by Connie Francis. This brief keeps that definition visible, then builds a research path around More, Greatest and Hits.
Why this record matters
A short description can identify a subject without explaining its stakes. For “More Greatest Hits (Connie Francis album)”, the useful work is to connect “1961 compilation album by Connie Francis” to the records capable of establishing context and consequence.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 15, 2026. The linked authority identifier is Q6910956. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1959 and 1961.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “More Greatest Hits (Connie Francis album)”, its source revision and the description used here.
- Expand the search: follow More Greatest Hits (Connie Francis album) primary sources, More Greatest Hits (Connie Francis album) archive and More research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “More Greatest Hits (Connie Francis album)”?
- Where is authorship, date or provenance documented?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “More Greatest Hits (Connie Francis album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.