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Teatro Maria Matos

theater in Lisbon, Portugal

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 24, 2026
Entity authorityQ1164440
Source-derived summary

The Maria Matos Theatre (Portuguese: Teatro Maria Matos) is a theatre located in the civil parish of Alvalade, in the municipality and Portuguese capital of Lisbon.

History

Originally, the building was designed by the architect Fernando Ramalho. The construction of the theatre occurred between 1963 and 1969, a project authored by architect Barros da Fonseca; a bold architectural project for the time, the site consisted of a fifteen-story building, that integrated a hotel, a theater and a cinema. The theatre Maria Matos was inaugurated on 22 October 1969, under the direction of its artistic director Igrejas Caeiro, presenting the piece Tombo no Inferno, by Aquilino Ribeiro in honor of an actress of great prestige, Maria Matos. On its stage passed, during the 1970s and early 1980s, various companies, namely the theatrical company of RDP (Portuguese: Companhia de Teatro da RDP) under the direction of artistic director Artur Ramos, and the Portuguese Cooperative Theatre Repertory (Portuguese: Repertório–Cooperativa Portuguesa de Teatro) under its director Armando Cortez.

On 24 September 1982, the theatre was acquired by the municipal council of Lisbon, resulting in the loss of its resident company and passing to the regime of independent theatre companies and those smaller groups involved in theatre, dance and music.

In 2003, the management of Maria Matos was passed to the municipal company EGEAC Empresa de Gestão de Equipamentos e Animação Cultural (Company for the Management of Equipment and Cultural Animation).

Due to its state of degradation, in August 2004, renovations and interventions began at the site to remodel the cultural spaces conferring on the theatre a new identity with better conditions for events. The project included the remodelling of the main hall and backstage, improved acoustics, illumination, climate control, reinforcing security measures and removing architectural barriers in the interior.

The Municipal Theatre Maria Matos reopened to the public on 27 March 2006.

Editorial summary

“Teatro Maria Matos” enters the record as theater in Lisbon, Portugal. Crown Archives preserves that source wording while asking what Teatro, Maria and Matos can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1963, 1969, 1982, 2003—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Teatro, Maria and Matos.
Editorial analysis

Why this record matters

“Teatro Maria Matos” is worth following because a concise public description often conceals a longer documentary argument. Here, Teatro, Maria and Matos provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Mar 24, 2026. The linked authority identifier is Q1164440. VIAF identifies the subject as 151820561. Authority coordinates are 38.746, -9.139. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1963, 1969, 1982 and 2003.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Teatro Maria Matos”, its source revision and the description used here.
  2. Expand the search: follow Teatro Maria Matos primary sources, Teatro Maria Matos archive and Teatro research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Teatro Maria Matos”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from Teatro Maria Matos” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.