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Teater Paradižnik

television series

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 31, 2026
Entity authorityQ7691866 ↗
Source-derived summary

Teater Paradižnik (English: Paradižnik Theater; literally: Tomato Theater) is a Slovenian television comedy series, created and directed by Branko Đurić.

Screenplay was written by Marko Pokorn and Branko Đurić. This show lasted from 1994 to 1997 and was a huge hit in Slovenia. It was broadcast on first channel of RTV Slovenija, a Slovenian national television.

The story was set in theater. There was a lot of comic situations between workers behind the scenes; and a part on a stage with public and Slovenian music performances on the other side.

Editorial summary

This brief starts where responsible research should: with the source description of “Teater Paradižnik” as television series. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1994, 1997—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Teater, Paradižnik and television can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as television series. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 31, 2026. The linked authority identifier is Q7691866. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1994 and 1997.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Teater Paradižnik”, its source revision and the description used here.
  2. Expand the search: follow Teater Paradižnik primary sources, Teater Paradižnik archive and Teater research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Teater Paradižnik”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “Teater Paradižnik” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.