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Dodgeball: A True Underdog Story

2004 film by Rawson Marshall Thurber

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 18, 2026
Entity authorityQ908473
Source-derived summary

Dodgeball: A True Underdog Story (stylized as DodgeBall: a TRUE underdog story) is a 2004 sports comedy film written and directed by Rawson Marshall Thurber, in his directorial debut, and starring Vince Vaughn, Ben Stiller, Christine Taylor, and Rip Torn. The film follows a group of unlikely misfits who enter a Las Vegas dodgeball tournament, needing the prize money to save their cherished gym from being taken over by a corporate health fitness chain.

Theatrically released by 20th Century Fox on June 18, 2004, the film received generally positive reviews from critics and grossed $168.4 million on a $20 million budget.

As of 2023, a sequel was in development.

Plot

Peter LaFleur is the owner of Average Joe's, a small, dilapidated and understaffed gym. When he defaults on the gym's mortgage, his cocky and vindictive business rival White Goodman, who owns the high-end Globo Gym across the street, purchases it. Unless Peter can raise $50,000 in 30 days, Goodman will foreclose on and demolish Average Joe's to build a new auxiliary parking structure for his members. Goodman attempts to seduce attorney Kate Veatch, who is handling his account; disgusted, she cites conflict of interest (COI) to rebuff his disturbing advances.

Peter, gym employees Dwight Baumgarten and Owen Dittman, and members Steve "The Pirate" Cowan, Justin Redman and Gordon Pibb, all decide to raise the required money. After an impromptu car wash suggested by Owen fails, Gordon suggests entering a dodgeball tournament in Las Vegas with a $50,000 grand prize.

Editorial summary

Begin with the source’s own compact description: “Dodgeball: A True Underdog Story” is 2004 film by Rawson Marshall Thurber. The dossier treats that line as a proposition to test through Dodgeball, True and Underdog, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2004, 2023—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Dodgeball, True and Underdog is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2004 film by Rawson Marshall Thurber” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 18, 2026. The linked authority identifier is Q908473. The first chronological checks are 2004 and 2023.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Dodgeball: A True Underdog Story”, its source revision and the description used here.
  2. Expand the search: follow Dodgeball: A True Underdog Story primary sources, Dodgeball: A True Underdog Story archive and Dodgeball research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Dodgeball: A True Underdog Story”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Dodgeball: A True Underdog Story” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.