Uruguayan tango
type of dance

Uruguayan tango is a rhythm that has its roots in the poor areas of Montevideo around 1880. Then it was extended to other areas and countries. As Borges said: "...tango is African-Montevidean [Uruguayan], tango has black curls in its roots..." He quoted Rossi, that sustained that "...tango, that argentine people call argentine tango, is the son of the Montevidean milonga and the grandson of the habanera. It was born in the San Felipe Academy [Montevideo], a Montevidean warehouse used for public dances, among gangsters and black people; then it emigrated to underworld areas of Buenos Aires and fooled around in Palermo's rooms..." This also implies that different forms of dance were originated in the neighborhoods of Montevideo, Uruguay in the last part of the 19th century and in the early 20th century that was particular from that area and different from Buenos Aires. It consists of a variety of styles that developed in different regions of Argentina and Uruguay.
The dance is often accompanied by several musical forms such as:
Tango
Milonga
Vals
Candombe
One of the most famous and well-known tango songs is La Cumparsita, written by Gerardo Matos Rodríguez in Montevideo in 1919. An annual week-long festival to mark the anniversary of La Cumparsita has taken place in Montevideo since 2007. The Tango Museum of Montevideo currently stands where La Cumparsita was first played, in Palacio Salvo.
Musicians
Famous Uruguayan tango musicians include:
Manuel Campoamor
Francisco Canaro
Horacio Ferrer, Uruguayan poet who contributed the lyrics to many important tango songs.
Malena Muyala
Gerardo Matos Rodríguez
Enrique Saborido
Julio Sosa, "El Varón del Tango" or "The Man of Tango"
Bajofondo Tango Club, a music group made up of seven members from Uruguay and Argentina.
“Uruguayan tango” enters the record as type of dance. Crown Archives preserves that source wording while asking what Uruguayan, tango and type can confirm, complicate or overturn.
Why this record matters
“Uruguayan tango” is worth following because a concise public description often conceals a longer documentary argument. Here, Uruguayan, tango and type provides the most credible route into that argument.
Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Dec 19, 2025. The linked authority identifier is Q7901510. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1880, 1919 and 2007.
Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.
- Subject orientation
- Search vocabulary
- Locating named sources
The closest primary source, responsible institution and strongest cited specialist reference.
Three-step research path
- Establish the record: confirm the title “Uruguayan tango”, its source revision and the description used here.
- Expand the search: follow Uruguayan tango primary sources, Uruguayan tango archive and Uruguayan research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Uruguayan tango”?
- What terminology or title could unlock a more precise catalogue search?
- Which institution is responsible for the underlying evidence?
Search terms from this dossier
This entry incorporates text from “Uruguayan tango” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.