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Research dossier · People & Ideas

Tamia

Canadian musician and singer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 11, 2026
Entity authorityQ271874
Source-derived summary

Tamia Marilyn Washington Hill (born May 9, 1975) is a Canadian singer and songwriter. Born and raised in Windsor, Ontario, Tamia performed in various singing and dancing competitions as a child. In 1994, after signing a development deal with Warner Bros. Records, she was asked by veteran producer Quincy Jones to appear on his album Q's Jook Joint (1995), earning her Grammy Award nominations for their collaboration on "You Put a Move on My Heart" and "Slow Jams". Her self-titled debut album was released in 1998 and followed by a series of successful albums with Elektra Records, including A Nu Day (2000) and More (2004). Several songs from these albums became hit singles on the pop and R&B record charts, including "So Into You", "Stranger in My House", and "Imagination", as well as her collaborations "Into You", "Missing You", and "Spend My Life with You".

Since her departure from Elektra, Tamia has released most of her projects independently on her own label Plus One Music Group, through ventures with Def Jam Recordings, eOne Music, and others. In 2015, her sixth album Love Life debuted and peaked at number two on Billboard's Top R&B/Hip-Hop Albums, becoming her highest-charting album on the chart. An NAACP Image Award recipient for her work with singer Eric Benét, Tamia is a six-time Grammy Award nominee and has been nominated for numerous other awards and accolades, including a Soul Train Music Award, a Source Award, and four Juno Awards. She has been married to former basketball player Grant Hill since 1999; they have two daughters.

Editorial summary

Begin with the source’s own compact description: “Tamia” is canadian musician and singer. The dossier treats that line as a proposition to test through Tamia, Canadian and musician, not as a finished interpretation.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1975, 1994, 1995, 1998—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Tamia, Canadian and musician is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “canadian musician and singer” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Sep 11, 2026. The linked authority identifier is Q271874. The first chronological checks are 1975, 1994, 1995 and 1998.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Tamia”, its source revision and the description used here.
  2. Expand the search: follow Tamia primary sources, Tamia archive and Tamia research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Tamia”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Tamia” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.