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Sabine Desvallières

French nun, artist and embroiderer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 15, 2024
Entity authorityQ87198695 ↗
Source-derived summary

Sabine Desvallières (22 February 1891– 16 February 1935), also known as Sœur Marie de la Grâce, was a French embroidery artist and Catholic nun.

Biography

Born into a family of artists in Paris on 22 February 1891, Sabine Desvallières was the daughter of the celebrated painter George Desvallières and his wife Marguerite Lefebvre, a piano pupil of César Franck. During her childhood, she learned art from her family. She later completed her training with the embroidery artist Blanche Ory-Robin, who introduced her to needle painting.

Desvallières began creating works of art when still young, regularly exhibiting at the Salon d'Automne, where she presented a fireplace screen in 1912 and velvet curtains in 1913. Like the other members of her family, she was devastated by the death of her brother Daniel in the First World War (March 1915). This caused her to turn to religion and to join the association of Catholic painters known as l'Arche, founded by the painters Valentine Reyre and Maurice Storez.

She then focused on embroidery, especially in connection with religious vestments and altar coverings, presenting her works at the "Art religieux" section of the Société Nationale des Beaux-Arts and, from 1922, at the Salon d'Automne.

In 1926, she was commissioned to create works for the Poor Clares Convent at Mazamet. On 20 September, she entered the convent as a postulant, taking the name of Sister Marie de la Grâce on 7 May 1927.

Editorial summary

This brief starts where responsible research should: with the source description of “Sabine Desvallières” as french nun, artist and embroiderer. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1891, 1935, 1912, 1913—that can be checked directly. The authority record carries competing date values—1891-02-22, 1891—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Sabine, Desvallières and French can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as french nun, artist and embroiderer. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Jul 15, 2024. The linked authority identifier is Q87198695. VIAF identifies the subject as 313569808. 1 of 3 selected statements include explicit references; 1 carry qualifiers and 1 use preferred rank. The first chronological checks are 1891, 1935, 1912 and 1913.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Sabine Desvallières”, its source revision and the description used here.
  2. Expand the search: follow Sabine Desvallières primary sources, Sabine Desvallières archive and Sabine research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Sabine Desvallières”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Sabine Desvallières” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.