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Súbete a mi moto

television series

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 17, 2026
Entity authorityQ7666664 ↗
Source-derived summary

Subete a mi Moto is a Mexican telenovela produced by TV Azteca in 2002. Created by Verónica Suárez and Eric Vonn, It was broadcast on Azteca Trece (now Azteca Uno) from Monday July 1, 2002 to Friday January 24, 2003 for 155 episodes. The protagonists include Vanessa Acosta, Mark Tacher, Sandra Echeverria, Michel Brown, Alejandra Urdaín and Adrián Cue, and the antagonistic interpretation by Bárbara Mori, Jorge Luis Pila, Susana Alexander and Vanessa Villela.

Plot

It is the story of four young people with different personalities, the four looking for love.

Mari Jo (Maria Jose), Mariana, and her two half sisters: Cecilia and Renata, seek to survive their family problems, trying to share a father, all four being daughters of different mothers, Harriet and Laura respectively, both of whom are good women, but who share very different points of views, for reasons of generation and personality.

Mariana and Renata, half-sisters, will fall in love with Richard and fight for him until the end. Not to mention that a third person, who is beautiful and evil, manipulates them into fighting each other.

That person is Nelly, the jealous cousin of the girls, who together with her mother, Carmen, and the main villain, Carlos, will make life difficult for the rest, engaging in piracy.

Ernesto, the father of the sisters, is the director of a major label, he is desolated after realizing it was not true that Harriet, his first wife, betrayed him, and after 20 years he found out the lies Angustias, his former mother in law, created. His two daughters from his first marriage believe he abandoned them.

Editorial summary

“Súbete a mi moto” enters the record as television series. Crown Archives preserves that source wording while asking what Súbete, moto and television can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2002, 2003—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Súbete, moto and television.
Editorial analysis

Why this record matters

“Súbete a mi moto” is worth following because a concise public description often conceals a longer documentary argument. Here, Súbete, moto and television provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 17, 2026. The linked authority identifier is Q7666664. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2002 and 2003.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Súbete a mi moto”, its source revision and the description used here.
  2. Expand the search: follow Súbete a mi moto primary sources, Súbete a mi moto archive and Súbete research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Súbete a mi moto”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “Súbete a mi moto” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.