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Super Black Market Clash

album by The Clash

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 5, 2026
Entity authorityQ2637270 ↗
Source-derived summary

Super Black Market Clash is a 1993 compilation album released by the English punk rock band the Clash. It contains B-sides and rare tracks not available on the group's regular studio albums. The album is an expanded repackaging of the 1980 release Black Market Clash, a 10-inch EP containing nine songs. The man in the foreground of the front cover art on both releases is Don Letts, who worked with the Clash on several projects and later was a founding member of Big Audio Dynamite.

Black Market Clash

Black Market Clash was released in October 1980, only in the US and Canada, in between London Calling and Sandinista!. It compiled recordings which were then unavailable in the US except as imports. The disc was one in the series of "Nu-Disk" 10-inch records from Epic. Other artists in the series included New Musik and Cheap Trick.

"The Prisoner", the cover of "Pressure Drop" by Toots and the Maytals, "City of the Dead", and "Armagideon Time" had all been UK B-sides from the period 1977–79, respectively of "White Man in Hammersmith Palais", "English Civil War", "Complete Control", and "London Calling". "Pressure Drop" is presented here in a remix by Bill Price.

Editorial summary

Begin with the source’s own compact description: “Super Black Market Clash” is album by The Clash. The dossier treats that line as a proposition to test through Super, Black and Market, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1993, 1980, 1977—that can be checked directly. The linked authority record independently contributes the date 1993-01-01. For this dossier, Super, Black and Market is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by The Clash” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 5, 2026. The linked authority identifier is Q2637270. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1993, 1980 and 1977.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Super Black Market Clash”, its source revision and the description used here.
  2. Expand the search: follow Super Black Market Clash primary sources, Super Black Market Clash archive and Super research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Super Black Market Clash”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
Subject index

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Source & attribution

This entry incorporates text from “Super Black Market Clash” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.