Sue Milliken
Australian film producer

Susan Kathleen Milliken is an Australian film and television producer, screenwriter and author. She is probably best known for Black Robe in which she won the Genie Award for Best Picture in 1991, apart from working in Australia, she produced 60 episodes of the US sci-fi series Farscape.
Milliken started work in the film industry in the 1960s with the Australian Broadcasting Corporation, in the continuity department, before becoming a freelance production manager, working on such shows as Skippy the Bush Kangaroo, she made a number of films with director and screenwriter Bruce Beresford, including The Odd Angry Shot and Ladies in Black She was the chairwomen of the Australian Film Commission (now Screen Australia) from 1994 to 1997.
Milliken was made an Officer of the Order of Australia (AO) in the 2008 Australia Day Honours for "service to the film and television industry through a range of organisations, as an advocate for the development of the industry, for support and encouragement of Indigenous film makers, and as a producer".
In 1993, she was awarded the Raymond Longford Award and 2018, Milliken won the Chauvel Award, which acknowledges significant contribution to the Australian screen industry.
She has won Canadian Screen Award and Genie Award.
Works
Films
The Odd Angry Shot (1979) – producer
The Fringe Dwellers (1985) – producer
Les Patterson Saves the World (1987) – producer
Black Robe (1991) – producer
Sirens (1994) – producer
Dating the Enemy (1995) – producer
Paradise Road (1997) – producer
Crocodile Dreaming (2007) – producer
My Brother Jack (2001)
The Redfern Story (2013) – producer
Ladies in Black (2018) — producer and co-screenwriter
Books
Selective Memory; Melbourne, Vic. : Hybrid Publishers, 2013. ISBN 9781921665875
There’s a Fax From Bruce; Strawberry Hills, NSW : Currency Press Pty Ltd, 2016.
“Sue Milliken” enters the record as australian film producer. Crown Archives preserves that source wording while asking what Milliken, Australian and film can confirm, complicate or overturn.
Why this record matters
“Sue Milliken” is worth following because a concise public description often conceals a longer documentary argument. Here, Milliken, Australian and film provides the most credible route into that argument.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Mar 13, 2026. The linked authority identifier is Q23020159. VIAF identifies the subject as 91836800. The Library of Congress control number is n88034833. 1 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1991, 1994, 1997 and 2008.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Sue Milliken”, its source revision and the description used here.
- Expand the search: follow Sue Milliken primary sources, Sue Milliken archive and Milliken research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Sue Milliken”?
- Where is authorship, date or provenance documented?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Sue Milliken” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.