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Stratonice (opera)

opera by Étienne-Nicolas Méhul

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 13, 2026
Entity authorityQ7622229 ↗
Source-derived summary

Stratonice is a one-act opéra comique by Étienne Méhul to a libretto by François-Benoît Hoffman, first performed at the Théâtre Favart in Paris, on 3 May 1792. The plot is taken from De Dea Syria ("On the Syrian Goddess", attributed to Lucian) concerning an incident from the history of the Seleucid dynasty which ruled much of the Middle East during the Hellenistic era of the ancient world.

Performance history

Stratonice was a popular opera, receiving over 200 performances during Méhul's lifetime. On 6 June 1792, a parody titled Nice, by Jean-Baptiste Desprez and Alexandre de Ségur, appeared at the Théâtre du Vaudeville. In 1821, Méhul's nephew, Joseph Daussoigne-Méhul, wrote new recitatives for the opera's revival in Paris at the Académie Royale de Musique.

Roles

Synopsis

Antiochus, the son of King Seleucus, is pining away yet he would rather die than name the cause of his disease to his father. The doctor, Erasistratus, suspects love is behind Antiochus's suffering. He notices that the prince's pulse rate increases when he sees Stratonice, a young woman intended as his father's bride, and further tests confirm his diagnosis. The doctor subtly reveals the truth to the king who is content to relinquish Stratonice to Antiochus to save his son's life and happiness.

Musical numbers

Overture

Chorus: Ciel!

Editorial summary

This brief starts where responsible research should: with the source description of “Stratonice (opera)” as opera by Étienne-Nicolas Méhul. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1792, 1821—that can be checked directly. The linked authority record independently contributes the date 1800. The account is most persuasive where Stratonice, opera and Étienne-Nicolas can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as opera by Étienne-Nicolas Méhul. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 13, 2026. The linked authority identifier is Q7622229. VIAF identifies the subject as 183287575. The Library of Congress control number is no98020916. 1 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1792 and 1821.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Stratonice (opera)”, its source revision and the description used here.
  2. Expand the search: follow Stratonice (opera) primary sources, Stratonice (opera) archive and Stratonice research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Stratonice (opera)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Stratonice (opera)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.