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Strasbourg Crucifixion

painting by Giotto di Bondone

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 17, 2026
Entity authorityQ3698227 ↗
Source-derived summary

The Strasbourg Crucifixion is a painting in tempera and gold on panel of c. 1315 attributed to Giotto, now in the Musée des Beaux-Arts (inventory number 167) of Strasbourg, France.

History

Previously attributed to the school of Giotto, Roberto Longhi attributed it to the master himself in 1948. It probably formed a diptych with the Madonna Enthroned between the Virtues (Wildenstein Collection, New York), attributed to the Master of the Sails. Art historians Gnudi and Salvini did not include the work in their catalogue of Giotto's works. William Suida, Pietro Toesca, and Offner attribute the work to a "Master of the Strasbourg Crucifixion" to which they also attribute the Berlin Crucifixion, a similar work in small format. Even today critics are uncertain about the work's attribution, although it has unambiguously been attributed to Giotto on major occasions such as the 2013 Giotto exhibition in the Louvre. In any case, the work is dated to the late phase of Giotto's career, as demonstrated by the voluminous drapery, as found in both the Cappella Peruzzi and Cappella Bardi.

Description and style

The scene follows traditional iconography, with the experimental innovations of the Crucifixion in Scrovegni Chapel. The cross of Christ occupies the center of the painting, on a uniform gold ground. Grieving angels crowd around the figure of Christ, while below Mary Magdalene (wearing red) embraces the cross.

Editorial summary

The public source identifies “Strasbourg Crucifixion” as painting by Giotto di Bondone. This brief keeps that definition visible, then builds a research path around Strasbourg, Crucifixion and painting.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1315, 1948, 2013—that can be checked directly. The linked authority record independently contributes the date 1315. Its value is orientation rather than verdict, with Strasbourg, Crucifixion and painting providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Strasbourg Crucifixion”, the useful work is to connect “painting by Giotto di Bondone” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 17, 2026. The linked authority identifier is Q3698227. 1 of 1 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1315, 1948 and 2013.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Strasbourg Crucifixion”, its source revision and the description used here.
  2. Expand the search: follow Strasbourg Crucifixion primary sources, Strasbourg Crucifixion archive and Strasbourg research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Strasbourg Crucifixion”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Strasbourg Crucifixion” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.