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Strange Interlude

1920s play by Eugene O'Neill

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 2, 2026
Entity authorityQ7621410
Source-derived summary

Strange Interlude is an experimental play in nine acts by American playwright Eugene O'Neill. It won the 1928 Pulitzer Prize for Drama. Strange Interlude is one of the few modern plays to make extensive use of a soliloquy technique, in which the characters speak their inner thoughts to the audience.

O'Neill began work on it as early as 1923 and developed its scenario in 1925. He wrote the play between May 1926 and the summer of 1927, and completed its text for publication in January 1928, during the final rehearsals for its premiere performance. Strange Interlude opened on Broadway on January 30, 1928, with Lynn Fontanne in the central role of Nina Leeds. It was also produced in London at the Lyric Theatre in 1931. It was included in Burns Mantle's The Best Plays of 1927-1928.

Because of its length, around five to six hours if uncut, the play has sometimes been produced with a dinner break or on consecutive evenings. The play's themes – a woman's sexual affairs, mental illness, abortion, and deception over

paternity – were controversial in the 1920s.

Editorial summary

Begin with the source’s own compact description: “Strange Interlude” is 1920s play by Eugene O'Neill. The dossier treats that line as a proposition to test through Strange, Interlude and 1920s, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1928, 1923, 1925, 1926—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Strange, Interlude and 1920s is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1920s play by Eugene O'Neill” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 2, 2026. The linked authority identifier is Q7621410. VIAF identifies the subject as 194761899. The Library of Congress control number is n2017053580. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1928, 1923, 1925 and 1926.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Strange Interlude”, its source revision and the description used here.
  2. Expand the search: follow Strange Interlude primary sources, Strange Interlude archive and Strange research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Strange Interlude”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Strange Interlude” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.