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Still on My Mind

2019 studio album by Dido

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 13, 2026
Entity authorityQ60573726
Source-derived summary

Still on My Mind is the fifth studio album by English singer Dido, released on 8 March 2019 through BMG. It is her first studio album since 2013's Girl Who Got Away. The album was supported by singles "Give You Up", "Take You Home", "Friends" and "Just Because".

Recording

Dido wrote and recorded the album in the UK with her brother Rollo. She said she "only wanted to make another album if it was with him", and called the recording process simple and an "absolutely magical experience", saying it was "made in such an easy way, all the vocals recorded on the sofa, a lot of it recorded at home".

Dido said she inadvertently made the album very similar to No Angel. Dido felt no one would ever hear No Angel at the time of its release and that the feeling that no one would hear her album crept into Still on My Mind because she had a good time recording it.

Dido learned a lot about production while making the album on songs like "Hell After This" and "Mad Love". She described her style of production as less professional, haphazard, and a mess compared to her brother, Rollo Armstrong, as she records everything in one take and is constantly deleting stuff. The final track on the album, "Have to Stay", was recorded in its first take as she was writing it. The person Dido was writing with, Ryan Laubscher, doesn't move chords for the first two verses of the song because he's getting to grips with what she's singing as she's singing it for the first time.

Editorial summary

Begin with the source’s own compact description: “Still on My Mind” is 2019 studio album by Dido. The dossier treats that line as a proposition to test through Still, Mind and studio, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2019, 2013—that can be checked directly. The linked authority record independently contributes the date 2019-03-08. For this dossier, Still, Mind and studio is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2019 studio album by Dido” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jan 13, 2026. The linked authority identifier is Q60573726. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2019 and 2013.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Still on My Mind”, its source revision and the description used here.
  2. Expand the search: follow Still on My Mind primary sources, Still on My Mind archive and Still research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Still on My Mind”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Still on My Mind” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.