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Stevie Wonder

American and Ghanaian singer-songwriter, composer and record producer (born 1950)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 17, 2026
Entity authorityQ714 ↗
Source-derived summary

Stevland Hardaway Morris ( STEEV-lənd; né Judkins; born May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. He is widely regarded as one of the most influential musicians of the 20th century, and is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. Wonder's use of synthesizers and other electronic musical instruments in the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions.

Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. As a teenager, he established himself as one of Motown's most successful acts, known for his excited harmonica playing and high-pitched singing. His single "Fingertips" topped the Billboard Hot 100 when he was 13, making him the youngest solo artist ever to top the chart. Wonder's critical and commercial peak, termed his "classic period" (1972–1976), began with the albums Music of My Mind and Talking Book (1972), which abandoned the Motown sound in favor of a synthesizer- and keyboard-driven one. With Innervisions (1973), Fulfillingness' First Finale (1974), and Songs in the Key of Life (1976), he became the first Black musician to win the Grammy Award for Album of the Year and the only artist to have won the award with three consecutive album releases.

In the 1980s, Wonder achieved international cultural presence, with high-profile collaborations (notably with Paul McCartney and Michael Jackson), television appearances, charity work, and political influence, including his 1980 campaign to make Martin Luther King Jr.'s birthday a federal holiday in the United States. Hotter Than July (1980), the soundtrack album The Woman in Red (1984), and In Square Circle (1985) all peaked within the top five of the Billboard 200.

Editorial summary

Begin with the source’s own compact description: “Stevie Wonder” is american and Ghanaian singer-songwriter, composer and record producer (born 1950). The dossier treats that line as a proposition to test through Stevie, Wonder and American, not as a finished interpretation.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1950, 1972, 1976, 1973—that can be checked directly. The linked authority record independently contributes the date 1950-05-13. For this dossier, Stevie, Wonder and American is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “american and Ghanaian singer-songwriter, composer and record producer (born 1950)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Sep 17, 2026. The linked authority identifier is Q714. VIAF identifies the subject as 109145970289132252107. The Library of Congress control number is n50013801. 3 of 4 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1950, 1972, 1976 and 1973.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Stevie Wonder”, its source revision and the description used here.
  2. Expand the search: follow Stevie Wonder primary sources, Stevie Wonder archive and Stevie research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Stevie Wonder”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Stevie Wonder” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.