Soviet Screen
Soviet film magazine

Soviet Screen (Russian: Советский Экран, romanized: Sovetsky Ekran) was an illustrated magazine published in the USSR with varying frequency from 1925 to 1998 (with a break from 1941–1957).
The magazine covered domestic and foreign news silver screen, the history of cinema, published critical articles, published creative portraits of actors and film art figures. Annually, there are also readers polls, the results of which were called Best Film of the Year, Best Actor of the Year, Best Actress of the Year, Best Film for Children of the Year and Best Music Film of the Year.
In January–March 1925 the magazine was published under the title Screen Film Gazeta, in 1929–1930 — Cinema and Life, in 1931–1939 — Proletarian Cinema, in 1991-1997 — Screen. Prior to 1992, the journal was the organ of the Union of Cinematographers of the USSR State Committee for Cinematography and the USSR. The journal published articles on domestic and foreign movie screen updates, articles on cinema history, criticism, creative portraits of actors and cinematography workers.
In 1984, the print run was 1.9 million copies. In 1991, the then editor was the film critic Victor Dyomin the magazine was renamed to Screen. Soon the magazine began to appear less frequently — monthly. Under the title Screen Magazine lasted until 1997. In 1997-1998, the magazine for several months (even when another chief editor Boris Pinsky) again came out under his old name — Soviet Screen.
The public source identifies “Soviet Screen” as soviet film magazine. This brief keeps that definition visible, then builds a research path around Soviet, Screen and film.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Soviet Screen”, the useful work is to connect “soviet film magazine” to the records capable of establishing context and consequence.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 14, 2026. The linked authority identifier is Q7697609. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1925, 1998, 1941 and 1957.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Soviet Screen”, its source revision and the description used here.
- Expand the search: follow Soviet Screen primary sources, Soviet Screen archive and Soviet research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Soviet Screen”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Soviet Screen” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.