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Selfish Machines

album by Pierce the Veil

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 19, 2026
Entity authorityQ2081080
Source-derived summary

Selfish Machines is the second studio album by American rock band Pierce the Veil, released by Equal Vision Records on June 22, 2010. Produced by Vic Fuentes and Mike Green, it was recorded in late 2009 and early 2010. Fuentes wrote most of the songs, and co-wrote three songs with former A Day to Remember guitarist Tom Denney.

A Day to Remember frontman Jeremy McKinnon was featured on the track "Caraphernelia", which had a music video released on September 28, 2010. "Bulletproof Love" was released as the follow-up music video on July 7, 2011. The album released to a mostly favorable critical reception, with reviewers praising the lyricism, instrumentation and experimental approach to its sound, while the use of Auto-Tune on some tracks was less favorably received, and Fuentes' vocals were met with a divisive response from some listeners. Nonetheless, it received moderate success and appeared on several US Billboard charts, including the Top Heatseekers and the top 200 charts. The album was reissued with remixed production, on September 24, 2013. It was certified Gold in the United States by the RIAA on June 13, 2025.

Background and recording

In November 2008, Alternative Press posted a list detailing their most anticipated album releases for the following year.

Editorial summary

This brief starts where responsible research should: with the source description of “Selfish Machines” as album by Pierce the Veil. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2010, 2009, 2011, 2013—that can be checked directly. The linked authority record independently contributes the date 2010. The account is most persuasive where Selfish, Machines and album can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as album by Pierce the Veil. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 19, 2026. The linked authority identifier is Q2081080. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2010, 2009, 2011 and 2013.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Selfish Machines”, its source revision and the description used here.
  2. Expand the search: follow Selfish Machines primary sources, Selfish Machines archive and Selfish research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Selfish Machines”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from Selfish Machines” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.