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South Central Madness

album by South Central Cartel

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 22, 2026
Entity authorityQ7566768 ↗
Source-derived summary

South Central Madness is the debut studio album by American West Coast gangsta rap group South Central Cartel. It was released on January 22, 1992 through Pump Records with distribution via Quality Records. Production was handled by Prodeje, Jam-O-Rama, DJ Ace, DJ Gripp, DJ Kaos and Wes Word. In the United States, the album peaked at number 51 on the Top R&B/Hip-Hop Albums and number 18 on the Heatseekers Albums charts.

Track listing

Sample credits

"County Bluz"

"I'm Gonna Love You Just a Little More Baby" by Barry White

"Hookaz"

"Rumors" by Timex Social Club

"Livin' Like Gangstas"

"It's Just Begun" by The Jimmy Castor Bunch

"Doo Wa Ditty (Blow That Thing)" by Zapp

"Neighborhood Jacka"

"Funky Drummer" by James Brown

"Hot Pants" by James Brown

"Get on the Good Foot" by James Brown

"Pops Was a Rolla"

"Papa Was a Rollin' Stone" by The Temptations

"Hot Pants (Bonus Beats)" by Bobby Byrd

"South Central Madness"

"Get Off Your Ass and Jam" by Funkadelic

"So Ruff, So Tuff" by Roger

"U Gotta Deal Wit Dis (Gangsta Luv)"

"La-La (Means I Love You)" by The Delfonics

"Be Alright" by Zapp

"Ya Getz Clowned"

"Rock Steady" by Aretha Franklin

"Think (About It)" by Lyn Collins

"More Bounce to the Ounce" by Zapp

"Big Ole Butt" by LL Cool J

"Ain't No Future in Yo' Frontin'" by MC Breed and DFC

"Conspiracy"

"Kool Is Back" by Funk, Inc.

Editorial summary

The public source identifies “South Central Madness” as album by South Central Cartel. This brief keeps that definition visible, then builds a research path around South, Central and Madness.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1992—that can be checked directly. The linked authority record independently contributes the date 1991-01-01. Its value is orientation rather than verdict, with South, Central and Madness providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “South Central Madness”, the useful work is to connect “album by South Central Cartel” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 22, 2026. The linked authority identifier is Q7566768. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1992.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “South Central Madness”, its source revision and the description used here.
  2. Expand the search: follow South Central Madness primary sources, South Central Madness archive and South research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “South Central Madness”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “South Central Madness” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.